Come curious. Leave inspired.
The UW offers an exciting lineup of in-person and online events. From thought-provoking art and music to conversations on culture, history, and science, the UW community invites you to explore, learn, and connect across disciplines throughout the University.
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ArtSci On Your Own Time or From Your Own Home
Video | Katz Distinguished Lectures Playlist (Simpson Center for the Humanities)
From “Mourning across Centuries and Languages: A Poem’s Six-Hundred-Year Journey” with Jahan Ramazani to “What Is Racial Capitalism and Why Does It Matter?” with Robin D. G. Kelley, the Katz Distinguished Lectures Playlist offers a rich, ever-growing archive to explore from wherever you are, inviting you to engage with a wide range of thought-provoking topics. Free.
Book Club | Chronicles from the Land of the Happiest People on Earth by Wole Soyinka (UW Alumni)
Readers’ Choice! A mix of mystery and political satire, this novel takes aim at corruption in modern Nigeria. Two old friends decide to investigate a local cartel that traffics in human body parts. But in a country where religious charlatans and dishonest officials abound, can they trust anyone in their search? Free.
EXHIBITIONS CLOSING:
Through April 4 | 2026 Jacob Lawrence Legacy Residency | indira allegra: The Book of Zero (School of Art + Art History + Design)
Death is a fundamental first step toward rebirth—but this transition can feel daunting without a compassionate guide. In The Book of Zero, our 2026 Jacob Lawrence Legacy Resident indira allegra presents a multimedia, meditative experience shaped by their research into doula work, death care, and the cyclical nature of bodies and environments. Free.
Through April 26 | Figure/Ground: New Criteria (Henry Art Gallery)
How might art respond when the conditions supporting artistic expression—its very ground—are under threat? Directly or more obliquely, at scales ranging from intimate to monumental, works by artists including Chakaia Booker, Denzil Hurley, Jennie C. Jones, and Stephanie Syjuco engage with the conditions that shape creative freedom. Free.
Through April 26 | Kameelah Janan Rasheed: we leak, we exceed (Henry Art Gallery)
we leak, we exceed activates the unique volume and multiple vantage points of the Henry’s double-height gallery, drawing together threads from physics, Black critical thought, and information theory to create an immersive environment that interrogates the spatial and social implications of compression. A common process used in data storage, spatial organization, and information systems, compression abbreviates and collapses complex ideas into more simplified forms. Kameelah Janan Rasheed questions the way compression comes at the cost of nuance and creates unrecoverable losses. She draws parallels between the compression of information and the containment of people, both physically and through the structuring and defining of identities. Through a network of video, sound, and architectural mark-making, Rasheed proposes alternatively what she calls “an embrace of Black excess and expansion” as a liberatory practice. Free.
Through May 3 | Deana Lawson: Monsen Photography Lecture (Henry Art Gallery)
Deana Lawson’s photographs result from collaborations with strangers whom the artist encounters by chance or deliberately seeks out. The pictures often depict richly textured domestic scenes in which the details of decor, lighting, and pose are constructed. In this way, Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. Free.
Week of March 30
March 31 | EduTalks: Solving for X (College of Education)
EduTalks brings together educators, researchers and community leaders to share bold ideas shaping the future of education. In just five minutes — and with a single powerful image — each presenter explores innovative approaches to today’s most pressing challenges. In the College of Education, we’re “solving for x,” taking inspiration from high school algebra to step into the complicated, often uncertain challenges in education with imagination and heart. In math, x represents the unknown. In education, it symbolizes the complex questions we face as we strive for a more just, equitable and joyful future for all learners. Solving for these challenges takes imagination, persistence and, above all, community. Free.
April 1 | 2026 Scheidel Lecture: Preempting Public Misconceptions About Controversial Science (Communication)
Dr. Kathleen Hall Jamieson argues that scientists and science communicators would be well served by use of a “mental models” approach to simultaneously increase consequential knowledge and reduce public susceptibility to misconceptions about controversial climate and health findings. By engaging audiences with visual, verbal, or animated models, this approach creates understandings of science on which the audience can draw to recognize and reject consequential misconceptions. Free.
April 1 | First Wednesday Concert Series: Students of the UW School of Music (School of Music)
A free lunchtime performance featuring UW School of Music students in the North Allen Library lobby. Presented in partnership with UW Libraries. Free.
April 2 | Cindy Anh Nguyen – Bibliotactics: Libraries and the Colonial Public in Vietnam (Jackson School of International Studies)
Libraries in French colonial Vietnam functioned as symbols of Western modernity and infrastructures of colonial knowledge. Yet Vietnamese readers pursued alternative uses of the library that exceeded imperial intentions. Bibliotactics examines the Hanoi and Saigon state libraries in colonial and postcolonial Vietnam, uncovering the emergence of a colonial public who reimagined the political meaning and social space of the library through public critique and day-to-day practice. Free.
April 2 | Collections Open Doors (Burke Museum of Natural History and Culture)
Part of Burke’s Free First Thursday series, the museum opens its collections spaces from 4:30 to 7:30 PM. Visitors can explore behind‑the-scenes labs and storage, and speak with researchers, staff, and volunteers about their work. Free.
April 2 | Eric-Paul Riege at Burke Artist Studio (Henry Art Gallery)
To celebrate the opening weekend of Eric-Paul Riege: ojo|-|ólǫ́, visit the artist offsite at the Burke Artist Studio, located in the Northwest Native Art Gallery at the Burke Museum, just a few blocks from the Henry. As part of Free First Thursday at the Burke, visitors will have the chance to watch the artist at work and speak with Riege about his process. Free.
April 3 | Exhibition Opening Reception / Recepción Inaugural – Constelaciones y Supernovas (UW Planetarium Arts x Colectivo Arte GUENDA)
An evening of guided gallery tours, lightning talks, and moderated panel discussions, featuring artists and scientists from Oaxaca, Seattle, Portland, UW, and UNAM. Guided tours are offered in English and Spanish. Lightning talks and panel will be conducted in English. Free.
April 3 | Exhibit Opening Celebration: Eric‑Paul Riege: ojo|-|ólǫ́ (Henry Art Gallery)
Be among the first to experience Eric-Paul Riege: ojo|-|ólǫ́, the artist’s largest solo exhibition to date. Featuring sculpture, textiles, collage, and video, the exhibition draws on Diné cultural memory and examines the (re)production of Indigeneity. A no-host bar and music by KEXP DJ Kevin Sur round out the night. Free.
April 4 | Eric-Paul Riege: Durational Performance + Talk (Henry Art Gallery)
An immersive performance by Eric-Paul Riege. Working in close concert with exhibition objects, Riege utilizes performance as a means of care and relationality among materials and objects. At once haptic and visceral, Riege will perform his self-described “weaving dances” as an extension of his world building across and within exhibitions. After the performance, Riege will be joined by co-curators, Thea Quiray Tagle and Nina Bozicnik, for an in-depth conversation about the connections among his research, practice, and performance. Free.
April 2 – 4 | Circa – Duck Pond (Meany Center for the Performing Arts)
Feathers will fly in this exuberant take on Swan Lake by the Australian contemporary circus group Circa. The world’s most romantic ballet is re-imagined as a circus spectacular, full of Circa’s signature physicality and shot through with cheeky humor and a thoroughly contemporary energy. Be swept away by this tale of swans and hapless princes sparkling with quirky touches like the sequined flipper-wearing duck army and a burlesque black swan. There are sumptuous aerials, jaw-dropping acrobatics and of course…feathers! Touching, funny and utterly entertaining, Duck Pond is a tale of identity and finding your true self.
Week of April 6
Online – April 6 | The World (Cup) Comes To Seattle 2026 Lecture Series: World Cup – the Syllabus (Jackson School of International Studies)
Presented by Sean Jacobs, Professor and Director of the Graduate Program in International Affairs at The New School, and Martha Saavedra, former Associate Director of the Center for African Studies at UC Berkeley. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.
April 7 | Film Screening – The Music of Strangers: Yo-Yo Ma and The Silkroad Ensemble (Meany Center for the Performing Arts)
Grammy-nominated documentary The Music of Strangers, which follows members of the Ensemble as they gather in locations across the world, exploring the ways art can both preserve traditions and shape cultural evolution. There will be a post-screening discussion with visionary Peter Sellars and Grammy Award-winning, multi-instrumentalist John-Carlos Perea, Chair of Ethnomusicology at UW. Free.
April 7 | 2026 Washin Kai Spring Lecture – Binging Shogun: Can Historical Fiction Be Good for History? Presented by Prof. Ted Mack (Asian Languages & Literature)
Japanese-language literature has been both read and written in Brazil for more than a century, creating an ever-expanding corpus of works. The talk will introduce these literary activities, focusing on the first decades of their production. In addition to presenting the authors, newspapers, bookstores, and readers in Brazil, the talk will also raise some questions about what makes up “Japanese literature” — and all other identity-based groupings of literary texts. Free.
Online option – April 7 | Unlocking Secrets: Interrogating the Epigenome to Reveal Pregnancy Risks in Moms with High Blood Pressure with Bertha Hidalgo (Public Lectures)
Dr. Bertha Hidalgo as she explores how epigenetics is reshaping our understanding of hypertensive pregnancy disorders. This lecture highlights population-based insights, early biomarkers of risk, and transformative strategies for prevention—advancing maternal health equity and innovation in public health. Free.
April 8 | 9th Annual Lee Scheingold Lecture in Poetry & Poetics (English)
Featuring Ange Mlinko, poet, critic, editor, & professor. Book signing and reception to follow. Free.
April 8 | Vulveeta: Film Screening and Q&A with Filmmaker Maria Breaux (Gender, Women & Sexuality Studies)
Grrrilda Beausoleil is turning 50. All she wants is a reunion with her 1990s riot grrrl band—the one she abandoned just as they were about to make it big. With a scrappy film crew documenting the journey, she navigates old wounds, new-age platitudes, and a San Francisco transformed by tech and displacement. The band must decide whether they can trust Grrrilda again—and whether their DIY roots of wheat paste, stickers, and zines can still build community in a digital age.
Dubbed “SPINAL TAP with BIPOC and queers” by the Chicago Reader, the film is a hilarious improvised mockumentary that treats comedy as activism. At its heart, the production centers LGBTQ community building across generations—reconciling past and present, passing the mic, and finding solidarity through creativity. Free.
April 8 | Guest Artist Concert: Seattle Modern Orchestra, “Entangled Sounds” (School of Music)
Seattle’s contemporary music orchestra performs György Ligeti’s piano concerto, featuring faculty pianist and SMO member Cristina Valdés, alongside new works for sinfonietta by faculty composers William Dougherty, Joël-François Durand, and Huck Hodge. SMO is joined onstage by select graduate-student members of the UW Modern Music Ensemble in this large-ensemble format.
April 10 | Anomalous Textualities: A showroom of models (Digital Arts & Experimental Media)
Anomalous Textualities re-imagines the Studio Theater as a traversable showroom. Inhabited by seven distinct works, the margins of language and meaning are re-mediated, embodied, and deconstructed through human-machine (mis)translations. In this performance-installation, spatial, temporal, and linguistic boundaries are blurred, giving way to slippages across models, bodies, and forms. Within this anomalous showroom, language models drive mechanical systems, glitching oracles, and choreographic prompts. Two further works explore non-verbal communication, seeking a physical vocabulary for a world shared with a “technological other.”
In this complex system, there is no fixed sequence. Light and sound are the conductors. As illumination fades in and out across the grid, models are sporadically activated. The audience is invited to navigate the showroom and explore multiple perspectives, moving through the partitions to witness interactions up close, or observing the entire system from the margins as it breathes and stutters as a single organism. Free.
April 10 | Sand Point Open Studios (School of Art + Art History + Design)
Visit the private studios of the Painting + Drawing MFA students and Division of Art faculty at the School’s Sand Point facilities. We will also be celebrating the opening of Rebecca Shippee’s show in the Sand Point Gallery. Students, alumni and the general public are invited for an evening of conversation, interaction, and art. Free.
April 10 | Media, Power, and Democracy in South Asia (Jackson School of International Studies)
What does democracy look like from below? This talk will look at how ordinary lives are reshaped by surveillance, majoritarianism, and corporate-political nexus in South Asia. Exploring media influence, gendered surveillance, majoritarian and casteist politics, the struggles of urban poor workers and the slow erosion of democratic rights in contemporary South Asia through Neha Dixit’s The Many Lives of Syeda X, this talk explores how journalism can recover erased histories, expose routine violence, and hold power to account. Free.
Week of April 13
Online – April 13 | The World (Cup) Comes To Seattle 2026 Lecture Series: World Cup – Bringing the World Cup to Seattle (Jackson School of International Studies)
Presented by Mary V. Harvey, Chief Executive at the Center for Sport and Human Rights; Maya Mendoza-Exstrom, Board Member of the SeattleFWC26 Local Organizing Committee, Chief Business Officer of Seattle Reign Football Club, and Chief Operating Officer of Seattle Sounders Football Club; Leo Flor, Chief Legacy Officer of the SeattleFWC26 Local Organizing Committee; and Anita Ramasastry, Henry M. Jackson Professor of Law and Director of the Sustainable International Development Graduate Program at the University of Washington School of Law. Free.
April 13 | Faculty Recital: Carrie Shaw, soprano: Wind Up Vocal Project (School of Music)
Faculty soprano Carrie Shaw’s new Seattle-based group Wind Up Vocal Project performs musical puzzles of the past and present, including Ming Tsao’s “DAS WASSERGEWORDENE KANONBUCH.”
April 13 | Guest Pianist Recital: Spencer Myer (School of Music)
The School of Music keyboard program presents a solo piano recital by Spencer Myer, associate professor of music at the Jacobs School of Music at Indiana University, performing works by Haydn, Ravel, Liszt, and Carl Vine. Free.
April 14 | Liberation Book Club: Community, Collaboration, and Conflict (School of Art + Art History + Design)
Our question to consider: We are all in this together, so, how do we actually do this work together? This year-long program series hopes to honor our commitment to social justice and to gather our community to think about the work of liberation through shared texts, art, film, music, conversation, and workshops. Unlike your traditional book club, all the reading and study happen together, so no need to prepare. Join us monthly as we approach the topic of liberation from a number of perspectives. Free.
April 14 | Literary Translator Lecture: Tiffany Tsao, “Beyond Novelty and Exoticism: Taking the Long View in Translating Indonesian Literature “ (Simpson Center for the Humanities)
Tiffany Tsao will discuss the challenges of translating Indonesian literature in the context of a publishing industry that has tended to value Indonesian works more for their “Indonesianness” than their literary value. Catering to a readership interested specifically in the history, culture, and living conditions of Indonesia has some near-term benefits, but does this approach do Indonesian writing a disservice over the long term? She will discuss, more specifically, how this state of affairs has shaped the decisions she has made as a translator – from the works she has chosen to translate, to her approach to the translation process itself. Free.
April 16 | Faculty Concert: Bonnie Whiting, Through The Eye(s) album release show (School of Music)
Faculty percussionist Bonnie Whiting celebrates the release of Through the Eye(s), her new CD out now on Neuma Records. Documenting a cycle of pieces for solo speaking and singing percussionist developed in collaboration with nine incarcerated people at the Indiana Women’s Prison, Through the Eye(s) is a collaboration with composer Eliza Brown, who facilitated the project. The program includes a short performance followed by a question-and-answer session. Free.
April 16 – 18 | IGNITE New Works Festival (Drama)
The IGNITE New Works Festival is a three-day event celebrating UW student “ART” of all forms, including performance art, theatre, film, installation, multimedia, and sculpture. The festival’s goal is to ignite expression, community, accessibility, and belonging among UW students by showcasing art that is FRESH, RISKY, and ODD. Performances will be held in the Glenn Hughes Penthouse (GH Penthouse) or Hutchinson Hall (HUT). Free.
April 17 | THEME Lecture Series: Ana Alonso Minutti, University of New Mexico (School of Music)
Ana Alonso Minutti, associate professor of musicology and ethnomusicology at the University of New Mexico, presents “Noising the Desert: Land and Memory in Raven Chacon’s Work.” Composer and installation artist Raven Chacon (Fort Defiance, 1977) has developed a body of work shaped by the sonic landscapes of the New Mexican desert. This presentation traces how his engagement with noise amplifies place and activates personal and cultural memory, positioning noising as a borderlands practice that unsettles colonial histories. Free.
April 17 | Guest Artist Concert: Harmonia with UW Piano Students (School of Music)
Seattle orchestra Harmonia (William White, conductor) performs concerto excerpts with UW piano students. Kane Chang, Jiaxuan Wu, Eli Antony, and Yuchen Qi.
April 17 | “Can Authoritarian States Credibly Deliver? Housing Financialization, Inequality, and State Credibility in China” (Political Science)
Presentation by Tongtian Xiao, Ph.D. Student, University of Washington as a part of the Severyns Ravenholt Seminar in Comparative Politics. Free.
Online option – April 17 | On Metals, Grasses, and Mollusks: A Local History of Ecology, Economy, and Empire in Roman Iberia (Classics)
Linda Gosner (Texas Tech) examines mining and its effects on the communities and ecologies of southeast Iberia following the conquest of this region during the Second Punic War. This region also had botanical and marine resources, long exploited by local communities, who reacted to Roman mining in divergent ways. Weavers of local grasses shifted their production strategies, supplying equipment for Roman mining. By contrast, harvesters of a large mollusk species, who once collaborated closely with miners, broke ties with the industry. Ultimately, the talk shows the important role local decision-making played in organizing production and in the empire’s experience in Roman Iberia. Free.
April 18 | Pablo Sáinz-Villegas (Meany Center for the Performing Arts)
Hailed as the “global ambassador of Spanish guitar” by Billboard Magazine, Pablo Sáinz-Villegas is widely acclaimed as the successor to Andrés Segovia. His playing dazzles with vibrant colors and deep emotion, captivating audiences with its expressiveness. Sáinz-Villegas’ guitar evokes intimacy and passion, weaving haunting melodies that transport listeners to a place of reverie and reflection. An exceptional performer, he stands as a living testament to music’s profound power to touch the depths of the human soul.
Week of April 20
Online – April 20 | The World (Cup) Comes To Seattle 2026 Lecture Series: World Cup – Lessons from Qatar 2022 (Jackson School of International Studies)
Presented by César Wazen, Director of the International Affairs Office at Qatar University. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.
April 22 | An Evening with Yo-Yo Ma – Reflections in Words and Music (Meany Center for the Performing Arts)
Yo-Yo Ma’s performance is currently sold out. Tickets may become available as some tickets get returned closer to the performance. A waitlist will open at the Meany Box Office starting at 6:30 p.m. on April 22. This special performance from Yo-Yo Ma pairs repertoire from the center of his musical firmament with reflections on how it has shaped his thinking about art, human nature and our search for meaning.
April 22 | Making Generative AI into a Public Problem (Communication)
Drawing on his research in media, technology, and public life, USC Associate Professor Mike Ananny examines how this framing shapes public understanding, limits accountability, and influences how societies respond to emerging technologies. The talk invites audiences to think more critically about what generative AI is, how it operates, and why treating it as a public problem is essential for addressing its broader social and political impacts. Free.
April 23 | Monsen Photography Lecture: Deana Lawson (Henry Art Gallery)
Deana Lawson draws on the legacies of historical portraiture, documentary photography, and the family album, but transcends these traditions, constructing images that merge lived experience with imagined narratives. The aesthetics of intergenerational connectivity guide Lawson’s choice of subject matter, with each of her works taking its place in an overarching project that coheres into what she terms “an ever-expanding mythological extended family.” Lawson’s works also demonstrate a special attention to the element of light, as both part of the mechanical process by which photographs are realized, and as a manifestation of the divinity that suffuses her sitters. A focused presentation of Lawson’s work on the Henry’s mezzanine features photographs that highlight her ongoing exploration of female subjectivity through the photographic image. Free.
April 24 | The Faustian Pact: Spectacles of Modernity (German)
German Studies Chair, Ellwood Wiggins, and Professor Andre Schütze present and discuss the enduring legacy of Faust. Discover what to look out for in Murnau’s revolutionary cinematic masterpiece and learn about the Faust story as a parable of modernity–and of German history–in its adaptations across the ages. What is the price of your soul? Following the discussion, please stick around as the community—students, alumni, faculty, and staff—gather over refreshments to celebrate German Studies’ own 21st Century learning. Free.
April 24 | Dino Lecture | A New History of a Lost World (Burke Museum of Natural History and Culture)
The dinosaurs ruled the Earth for more than 150 million years — evolving into spectacular giants like Brontosaurus and T. rex, which captivate our imaginations. In this talk, University of Edinburgh professor and paleontologist Steve Brusatte will discuss the complete story of where dinosaurs came from, how they rose to dominance, how most of them went extinct when a giant asteroid hit, and how some of them live on as today’s birds. In doing so, he will recount stories of digging up dinosaurs and working with colleagues around the world. At a time when Homo sapiens has existed for less than 300,000 years and we are already talking about planetary extinction, dinosaurs are a timely reminder of what humans can learn from the magnificent creatures that ruled Earth before us. Free.
April 24-25 | Improvised Music Project Festival (IMPFEST): Night 1: Kassa Overall with UW students and faculty / Night 2: Skùli Sverisson with UW students and faculty (School of Music)
The School of Music and the student-run Improvised Music Project (IMP) present IMPFest, featuring UW Jazz Studies students and faculty performing with guest artists of international renown. Headliners for this year’s festival are Grammy-nominated drummer, producer, and emcee Kassa Overall and Icelandic composer and bass guitarist Skùli Sverisson.
April 24-25 | MOMIX: ALICE (Meany Center for the Performing Arts)
Seamlessly blending illusion, acrobatics, magic and whimsy, MOMIX sends audiences flying down the rabbit hole in Moses Pendleton’s ALICE, inspired by Lewis Carroll’s classic Alice in Wonderland. Join this dazzling company on a mind-bending adventure, as Alice encounters time-honored characters including the undulating Caterpillar, a lobster quadrille, frenzied White Rabbits, a mad Queen of Hearts and a variety of other surprises.
April 26 | Better Together Service Day with BECU (UW Alumni)
Join the UWAA and BECU for a day of service to help fight food insecurity. Free.
April 26 | Dino Fest 2026 (Burke Museum of Natural History and Culture)
Dig into paleontology at the Burke’s annual festival of fossils!
Celebrate all things fossilized with hands-on activities for all ages! View hundreds of specimens from the Burke’s collection and hear about groundbreaking research from Burke and UW scientists.
- Fossil fun for everyone!
- Watch paleontologists uncover a duck-billed dinosaur in the Fossil Prep Lab.
- Learn about the fossils of Sucia Island, including the one and only dinosaur bone found in Washington state!
- Chat with Burke paleontologists and students about fossils from the Burke’s extensive vertebrate, invertebrate, and paleobotany collections.
- Check out the amazing T. rex skull unearthed by Burke scientists.
- And more!
Week of April 27
Online – April 27 | The World (Cup) Comes To Seattle 2026 Lecture Series: Iran and Seattle’s World Cup (Jackson School of International Studies)
Presented by Niki Akhavan, Associate Professor and Chair of the Department of Media and Communication Studies at The Catholic University of America. The World (Cup) Comes To Seattle 2026 Lecture Series is an online series of talks and discussions hosted by the Global Sport Lab, featuring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Each week, Global Sport Lab will bring local and global experts to discuss the geopolitical, local, and sporting implications of the 2026 FIFA Men’s World Cup in Seattle. Lectures will focus on teams coming to Seattle, as well as topics such as workers’ rights, World Cup histories, immigration and travel bans, the Pride Match controversy, and more. Free.
April 28 | Organ Studio Recital, University Presbyterian Church (School of Music)
Students of Dr. Stephen Price present a UW Organ studio spring recital. Dr. Price teaches Organ performance, Church music, and Keyboard Harmony courses. In addition, he leads ongoing initiatives to develop and revitalize the UW program, continuing the legacy of his predecessor, Dr. Carole Terry. Free.
April 28 | Graduation Exhibition Opening: Ways of Becoming, BA in Art, Group 1 (School of Art + Art History + Design)
Celebrate the graduating seniors across the art programs: 3D4M, Photo/Media, Painting + Drawing, and Interdisciplinary Visual Art (IVA) during the 2026 BA in Art Graduation Exhibitions at the Jacob Lawrance Gallery. Ways of Becoming is split into three shows between April 28 – June 5, 2026. Free.
April 28 | Katz Distinguished Lectures in the Humanities: Fiction and Lies in the Shadow of Climate Change (Simpson Center for the Humanities)
Stephanie LeMenager, Professor of English and Environmental Studies, considers the role of fiction as a form of resistant truth-telling in an era of lies, bullish*t, propaganda, GenAI fakes, and conspiracy theory, and in the shadow of the climate crisis. In our media atmosphere filled with falsehoods, fiction becomes a means of capturing messy realities unassimilable to propaganda. Moreover, the flexibility of fictional imagination allows for social responses to radical uncertainties, via new genres of storytelling that call climate-change publics into being. In this talk, we’ll consider stories of megafire. Free.
April 29 | O’Hara Public Lecture in Philosophy of Physics – Thinking outside the container: spacetime philosophy for a new physics (Philosophy)
The idea of space as the stage on which physical events play out dates at least as far back as the 5th century BC. The twentieth century saw a shift from theorising about space and time separately to thinking about spacetime, but the metaphor of spacetime as a stage or arena has continued. Twenty-first century physics looks likely to render this untenable – theories of quantum gravity do not appear to postulate spacetime as a fundamental container for physical contents. This talk examines an alternative way of thinking about spacetime based on the role that it plays in our physical theories – spacetime philosophy should focus on what spacetime does, rather than what it is. Free.
April 29 | Allen L. Edwards Psychology Lecture Series (Psychology)
Presented by Maureen Craig, Associate Professor of Psychology & Neuroscience, Duke University. Free.
April 30 | Wind Ensemble and Symphonic Band: Scenes and Portraits (School of Music)
The Wind Ensemble and Symphonic Band (Erin Bodnar, director) presents “Scenes and Portraits,” featuring music by Gustav Holst, Martin Ellerby, and others.
April 30 | Fire Humanities | Panel Discussion and Storytelling (Burke Museum of Natural History and Culture)
What does it mean to live well as wildfire and smoke season becomes more a part of life in the Pacific Northwest and many other places around the world? As much as we focus on preparedness and reducing materials that fuel wildfires, we must also reckon with the human dimensions of fire, which shape how we interact with it. “Fire Humanities” is a book project and an emerging field of study that draws on the humanities and arts to center stories, representations, collaborations, and values that promote adaptation, resilience, and justice as we adapt to a world with more fire.
This program will feature a panel discussion with five contributors to the book, who will share their approaches to this emerging field of research. After the panel, you’ll be invited to share your stories of fire and smoke with each other, speak with the panelists, and participate in hands-on activities connected to the Fire Humanities project. Free.
April 30 | From Malthus to Musk: Searching for Population Equilibrium in East Asia (Jackson School of International Studies)
Panel discussion featuring Wang Feng, University of California, Irvine, and Yong Cai, University of North Carolina at Chapel Hill, along with UW faculty James Lin and Sara Curran. Free.
May 1 | Kathleen Gutierrez | The B-Sides of Unmaking Botany: Labor and the Archive of the Bereaved in the Colonial Philippines (Jackson School of International Studies)
Writing history entails good editing—and accepting when material can’t make the final cut. Lengthy research projects require a command of sources but also analytical flexibility. Such flexibility can ensure rigor, sometimes at the expense of findings that, alas, must be shelved for some other future use. “The B-Sides of Unmaking Botany” will examine a set of sources that did not make it into the recently published monograph Unmaking Botany: Science and Vernacular in the Colonial Philippines (Duke University Press, 2025). The objectives of the talk are thus twofold: to provide a behind-the-scenes take on the production of a scholarly monograph and to offer a conceptual argument gleaned from the sources that nonetheless resonates with some of Unmaking Botany’s principal interventions. Free.
May 1-2 | The Living Breath of wǝɫǝbʔaltxʷ Indigenous Foods Symposium: “Healing Hands – Healing Lands” (American Indian Studies)
Indigenous scholars, artists, community leaders, and practitioners come together to reflect on food sovereignty, wellness, cultural resurgence, and collective healing through land-based knowledge and practice. Keynote by Vina Brown (Haíɫzaqv and Nuu-chah-nulth), a scholar, artist, and wellness advocate, whose work centers on Indigenous law, cultural healing, and community well-being. Raised in her Haíɫzaqv homelands, Vina’s work is deeply grounded in cultural resurgence, ceremony, and Tribal Canoe Journeys. She is the founder of Copper Canoe Woman and co-founder of Rooted Resiliency, an Indigenous women-led nonprofit dedicated to community wellness, cultural healing, and reclamation. Across her work, Vina advocates for land, culture, and collective well-being, with particular attention to healing intergenerational and historical trauma through community, movement, and Indigenous knowledge systems. Free.
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