The true cultural tipping point in the run-up to the American Revolution might have been the First Continental Congress’s decision in late October of 1774 to close the theaters in British America, says University of Washington drama professor Odai Johnson in his new book, “London in a Box: Englishness and Theatre in Revolutionary America.”







































![Actors in the UW Undergraduate Theater Society's production of "The Complete Works of William Shakespeare (Abridged) [Revised]," running Dec. 1 – 11 in the Cabaret Theatre in Hutchinson Hall, home of the UW School of Drama. From left, they are Ellie Mondloch, Daphne Sage Gomez and Jake Lemberg.](https://uw-s3-cdn.s3.us-west-2.amazonaws.com/wp-content/uploads/sites/6/2016/11/04144900/CW-Image-1-150x150.jpg)