On a two-year stint teaching English in Beijing, Sasha Welland got her first glimpse of contemporary Chinese art. Not the antiquities so common in Western museums of Asian art, or the scroll paintings or ceramics or Buddhist sculptures, explains Welland, an associate professor in the University of Washington departments of anthropology and gender, women and sexuality studies. Rather, the art of China that was well underway at that point in the early 1990s was of a distinctly provocative style, gaining…
