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COLLEGE OF ARTS & SCIENCES
MUSIC

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MUSIC 113 Pre-Core Ear Training (0-1, max. 1) VLPA Bernard, Durand, Hodge
Pre-core course in musicianship. Offered: ASp.
MyPlan Course Details: MUSIC 113 (student access only)

MUSIC 116 Elementary Music Theory (2) VLPA
For nonmusic majors. For people with no hands-on music experience. Rudiments of music; notation of time, small pitch structures (e.g., some scales, chords, rhythmic patterns), some analysis. Recommended: some music training including ability to read music.
MyPlan Course Details: MUSIC 116 (student access only)

MUSIC 117 Elementary Music Theory (2) VLPA
For nonmusic majors. For students who can read music, having some performance experience. Prerequisite: MUSIC 116.
MyPlan Course Details: MUSIC 117 (student access only)

MUSIC 118 Elementary Music Theory (2) VLPA
For nonmusic majors. For students who read music, have some performance experience, are familiar with scales, chords, intervals. Includes analysis of composition in various styles. Prerequisite: MUSIC 117.
MyPlan Course Details: MUSIC 118 (student access only)

MUSIC 119 Introduction to Music Theory and Musicianship (3) VLPA Bernard, Durand, Hodge
Basic elements of music theory: introduction to acoustics, major and minor scales, triads and seventh chords, keys, four-part writing, functional harmony, modes, simple forms, and jazz notation. Offered: A.
MyPlan Course Details: MUSIC 119 (student access only)

MUSIC 120 Survey of Music (5) VLPA
Studies in listening, with emphasis on the changing components of Western art music. Illustrated lectures, laboratory section meetings, and presentations by guest artists.
MyPlan Course Details: MUSIC 120 (student access only)

MUSIC 121 The Orchestra (2) VLPA
Development of the orchestra and its literature.
MyPlan Course Details: MUSIC 121 (student access only)

MUSIC 122 The Opera (2) VLPA
An introduction to opera through selected masterworks, from Monteverdi to the present. Primarily for nonmajors.
MyPlan Course Details: MUSIC 122 (student access only)

MUSIC 160 American Folk Music (5) VLPA
Introduces different types of folk music practiced in the United States. Examines how pieces, genres, performers, and consumers fit into particular socio-historical contexts as well as issues including identity politics and the roles of the media.
MyPlan Course Details: MUSIC 160 (student access only)

MUSIC 161 American Musical Theater (5) VLPA
Historical and stylistic study of the development of the American musical theater. European roots in opera and operetta. Contributions from jazz and popular music. Selected musicals studied.
MyPlan Course Details: MUSIC 161 (student access only)

MUSIC 162 American Popular Song (5) VLPA
Historical, social, and stylistic study of popular idioms from the late nineteenth century to the present. Most attention to contemporary idioms (rock, country-western, soul, hip-hop). Various facets of the industry examined to learn how they influence taste and musical style.
MyPlan Course Details: MUSIC 162 (student access only)

MUSIC 185 The Concert Season (2) VLPA
Performances from the School of Music concert season, supplemented by lecture topics related to concert repertoire. Analysis of applicable musical topics appropriate for enhanced appreciation of historical and cultural contexts of works performed. Attendance at ten concerts required.
MyPlan Course Details: MUSIC 185 (student access only)

MUSIC 191 Composition (3, max. 9) VLPA
One-hour private instruction and one-hour laboratory session each week. Intended to develop skill in creative musical expression. For composition majors only.
MyPlan Course Details: MUSIC 191 (student access only)

MUSIC 200 Music, Child, and Family (3) VLPA Campbell
Study of music in childhood as part of socialization and enculturation of the child within family and community. Emphasis given to songs and music listening experiences provided by parents to nurture the child's musical, social, and intellectual development from infancy through middle childhood. For nonmajors.
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MUSIC 201 First-Year Theory I (3) VLPA Bernard, Durand, Hodge
Introduction to tonal harmony and counterpoint; triadic progressions in root position; first and second species counterpoint; analysis of simple works. Prerequisite: minimum grade of 2.0 in MUSIC 119; recommended: concurrent registration in MUSIC 204. Offered: W.
MyPlan Course Details: MUSIC 201 (student access only)

MUSIC 202 First-Year Theory II (3) VLPA Bernard, Durand, Hodge
Continued instruction in tonal harmony and counterpoint; triadic progressions with inversions; third and fourth species counterpoint; further analysis of basic forms. Prerequisite: minimum grade of 2.0 in MUSIC 201; recommended: concurrent registration in MUSIC 205. Offered: Sp.
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MUSIC 203 First-Year Theory III (3) VLPA Bernard, Durand, Hodge
Further introduction in tonal harmony and counterpoint; seventh chords; modulations to closely related keys; secondary dominants; introduction to chromaticism; emphasis on analysis and writing of four-part chorales in early eighteenth-century style. Prerequisite: minimum grade of 2.0 in MUSIC 202; recommended: concurrent registration in MUSIC 206. Offered: A.
MyPlan Course Details: MUSIC 203 (student access only)

MUSIC 204 First-Year Ear Training I (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in MUSIC 113; corequisite: MUSIC 201. Offered: W.
MyPlan Course Details: MUSIC 204 (student access only)

MUSIC 205 First-Year Ear Training II (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in MUSIC 204; corequisite: MUSIC 202. Offered: Sp.
MyPlan Course Details: MUSIC 205 (student access only)

MUSIC 206 First-Year Ear Training III (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in MUSIC 205; corequisite: MUSIC 203. Offered: AWSp.
MyPlan Course Details: MUSIC 206 (student access only)

MUSIC 216 Introductory Composition (2) VLPA
For students not majoring in composition. Prerequisite: MUSIC 202.
MyPlan Course Details: MUSIC 216 (student access only)

MUSIC 217 Introductory Composition (2) VLPA
For students not majoring in composition. Prerequisite: MUSIC 216.
MyPlan Course Details: MUSIC 217 (student access only)

MUSIC 218 Introductory Composition (2) VLPA
For students not majoring in composition. Prerequisite: MUSIC 217.
MyPlan Course Details: MUSIC 218 (student access only)

MUSIC 240 Reed-Making Techniques (1, max. 6) VLPA
Applies basic reed-making principles and techniques. Individualized instruction allows students of all levels to take the course simultaneously.
MyPlan Course Details: MUSIC 240 (student access only)

MUSIC 250 World Music (3) VLPA/I&S, DIV
Introduction to world musical traditions, including both sound and socio-cultural dimensions of music. Topics include instruments, rhythm, melody, form, composition, improvisation, music in the family and community, politics, economy, religion, and case studies of major world musical traditions. Prerequisite: MUSIC 201; MUSIC 204.
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MUSIC 260 Orchestral Music (5) VLPA
Orchestral music from its beginnings in the seventeenth century through recent developments; evolution of the symphony.
MyPlan Course Details: MUSIC 260 (student access only)

MUSIC 261 Mozart (5) VLPA
Introduction to Mozart's music and to musical life in Habsburg Austria during the Enlightenment. Mozart's musical personality studied through masterpieces in all genres, with principal emphasis on listening. Ability to read music not required.
MyPlan Course Details: MUSIC 261 (student access only)

MUSIC 262 Introduction to Twentieth-Century Music (3) VLPA Starr
Listener's survey of important composers and trends from Debussy through electronic music.
MyPlan Course Details: MUSIC 262 (student access only)

MUSIC 263 Opera (5) VLPA Rumph
Contributions of music, text, and staging; study of representative works concentrating on problems of combining these elements into a composite work of art.
MyPlan Course Details: MUSIC 263 (student access only)

MUSIC 264 Sacred Music in the European Tradition (5) VLPA
Surveys European and American sacred music from the twelvth to twentieth centuries, examining the important role of music in religious worship. Considers the means composers used to make musical works sound the way they do to convey the messages of the texts through music. Offered: jointly with JSIS C 264.
MyPlan Course Details: MUSIC 264 (student access only)

MUSIC 270 World Popular Music (5) VLPA/I&S
A global survey of popular music, including Latin America, Africa, Eastern Europe, the Middle East, Asia, and the Pacific. Emphasis on students' ability to recognize styles and to analyze the social and historical processes that have shaped them.
MyPlan Course Details: MUSIC 270 (student access only)

MUSIC 291 Composition (3, max. 9) VLPA
One-hour private instruction and one-hour laboratory session per week. Prerequisite: MUSIC 191.
MyPlan Course Details: MUSIC 291 (student access only)

MUSIC 300 Fundamentals of Music Technology (3) VLPA
Introduction to the principles of music technology. Exploration of different categories of music software, in terms of their functionality as well as the fundamental basis of these theories. Prerequisite: MUSIC 203; MUSIC 206.
MyPlan Course Details: MUSIC 300 (student access only)

MUSIC 301 Second-Year Theory (3) VLPA Bernard, Durand, Hodge
Further study of modulation and chromatic harmony; analysis of eighteenth- and nineteenth-century short forms; technical exercises; model composition. Prerequisite: minimum grade of 2.0 in both MUSIC 203 and MUSIC 206; recommended: concurrent registration in MUSIC 304. Offered: W.
MyPlan Course Details: MUSIC 301 (student access only)

MUSIC 302 Second-Year Theory (3) VLPA Bernard, Durand, Hodge
More advanced study in mid- to late nineteenth-century chromaticism and compositional style; analysis of representative works; technical exercises; model composition. Prerequisite: minimum grade of 2.0 in both MUSIC 301 and MUSIC 304; corequisite: MUSIC 305. Offered: Sp.
MyPlan Course Details: MUSIC 302 (student access only)

MUSIC 303 Second-Year Theory (3) VLPA Bernard, Durand, Hodge
Core theory sequence for majors. Introduction to the theory and analysis of twentieth-century music. Prerequisite: minimum grade of 2.0 in both MUSIC 302 and MUSIC 305; corequisite: MUSIC 306. Offered: A.
MyPlan Course Details: MUSIC 303 (student access only)

MUSIC 304 Second-Year Ear-Training I (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in both MUSIC 203 and MUSIC 206; recommended: concurrent registration in MUSIC 304. Offered: W.
MyPlan Course Details: MUSIC 304 (student access only)

MUSIC 305 Second-Year Ear-Training II (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in both MUSIC 301 and MUSIC 304; corequisite: MUSIC 302. Offered: Sp.
MyPlan Course Details: MUSIC 305 (student access only)

MUSIC 306 Second-Year Ear-Training III (0-1, max. 1) VLPA Bernard, Durand, Hodge
Core ear-training sequence for majors. Prerequisite: minimum grade of 2.0 in both MUSIC 302 and MUSIC 305; corequisite: MUSIC 303. Offered: A.
MyPlan Course Details: MUSIC 306 (student access only)

MUSIC 307 Diction for Singers (2) VLPA
Application of basic rules of diction, enunciation, and articulation in Italian. Materials include texts from the basic vocal repertoire. Primarily for voice majors at freshman and sophomore levels; nonmajors on a space-available basis.
MyPlan Course Details: MUSIC 307 (student access only)

MUSIC 308 Diction for Singers (2) VLPA
Application of basic rules of diction, enunciation, and articulation in French. Materials include texts from the basic vocal repertoire. Primarily for voice majors at freshman and sophomore levels; nonmajors on a space-available basis.
MyPlan Course Details: MUSIC 308 (student access only)

MUSIC 309 Diction for Singers (2) VLPA
Application of basic rules of diction, enunciation, and articulation in German. Materials include texts from the basic vocal repertoire. Primarily for voice majors at freshman and sophomore levels; nonmajors on a space-available basis.
MyPlan Course Details: MUSIC 309 (student access only)

MUSIC 316 Music Cultures of the World (5) VLPA/I&S
Near East, Central Asia, Far East, South and Southeast Asia, Indonesia, and the Philippines. Content varies.
MyPlan Course Details: MUSIC 316 (student access only)

MUSIC 317 Music Cultures of the World (5) VLPA/I&S
Music of Africa, Americas, and Oceania. Content varies.
MyPlan Course Details: MUSIC 317 (student access only)

MUSIC 318 Music Cultures of the World (5) VLPA/I&S
Folk and popular music in Western and Eastern Europe and the Americas. Content varies.
MyPlan Course Details: MUSIC 318 (student access only)

MUSIC 319 Afro-American Music (5) VLPA/I&S
Centers on Black music in the United States, but also clarifies the relationship of this music to the musics of other Afro-American cultures as well as to their African roots.
MyPlan Course Details: MUSIC 319 (student access only)

MUSIC 325 Music in Cinema (5) VLPA/I&S Hodge
Surveys some of the most representative films and film scores of the Twentieth and Twenty-first centuries, while laying the groundwork for students to acquire the skills necessary to critically engage film as a multi-sensorial experience.
MyPlan Course Details: MUSIC 325 (student access only)

MUSIC 326 Repertoire (2) VLPA
For music majors.
MyPlan Course Details: MUSIC 326 (student access only)

MUSIC 327 Repertoire (2) VLPA
For music majors.
MyPlan Course Details: MUSIC 327 (student access only)

MUSIC 328 Repertoire (2) VLPA
For music majors.
MyPlan Course Details: MUSIC 328 (student access only)

MUSIC 331 History of Jazz (5) VLPA
Extensive overview of important musicians, composers, arrangers, and stylistic periods of jazz history from emergence of the first jazz bands at the turn of the twentieth century through post-modern bebop era of the 1990s.
MyPlan Course Details: MUSIC 331 (student access only)

MUSIC 332 Music in European Society: Antiquity to 1700 (5) VLPA/I&S
Music and its relationship to aspects of European culture and society - philosophy, politics, social conditions, and the visual arts from antiquity to 1700.
MyPlan Course Details: MUSIC 332 (student access only)

MUSIC 333 Music in Western Culture (5) VLPA/I&S
Music in Europe and North America, drawn from classical, popular, jazz, opera, and musical theatre traditions. Emphasis on the relationship between musical works and their social, philosophical, political, and other contexts.
MyPlan Course Details: MUSIC 333 (student access only)

MUSIC 334 Band Arranging (2) VLPA
Prerequisite: MUSIC 303.
MyPlan Course Details: MUSIC 334 (student access only)

MUSIC 336 Jazz Arranging (2) VLPA
Writing in jazz style for various instrumental combinations. Students should be able to arrange for modern jazz orchestra. Prerequisite: MUSIC 303.
MyPlan Course Details: MUSIC 336 (student access only)

MUSIC 344 Psychology of Music: Cognition (5) VLPA/I&S
Critical examination of questions, designs, and conclusions of previous research in a variety of areas related to music cognition including music perception, music performance, musical development, musical affect, musical preference, social psychology, and neuroscience.
MyPlan Course Details: MUSIC 344 (student access only)

MUSIC 350 Choral Conducting (1) VLPA
Overview of choral conducting patterns. Score, voice warm-up, and intonation. Tempo fluctuation, left hand, diction, discipline. Designed for music and music education majors. Prerequisite: MUSIC 302; corequisite: MUSEN 307, MUSEN 350 or MUSEN 351.
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MUSIC 351 Choral Conducting (1) VLPA
Overview of choral conducting patterns. Score, voice warm-up, and intonation. Tempo fluctuation, left hand, diction, discipline. Designed for music and music education majors. Prerequisite: MUSIC 350: corequisite: MUSEN 307, MUSEN 350 or MUSEN 351.
MyPlan Course Details: MUSIC 351 (student access only)

MUSIC 352 Choral Conducting (1) VLPA
Overview of choral conducting patterns. Score, voice warm-up, and intonation. Tempo fluctuation, left hand, diction, discipline. Designed for music and music education majors. Prerequisite: MUSIC 351; corequisite: MUSEN 307, MUSEN 350 or MUSEN 351.
MyPlan Course Details: MUSIC 352 (student access only)

MUSIC 366 Cylinders to Platters - A Survey of Recorded Music Since 188 (3) VLPA
Music as reflected through the influences of the recording industry and the development of related technologies. Examines social and artistic impacts that the recording age has brought to American and European musical cultures. Recommended: MUSIC 120; MUSIC 162.
MyPlan Course Details: MUSIC 366 (student access only)

MUSIC 367 Essential Skills in Jazz Improvisation I (2) VLPA
Addresses acquisition of crucial skills in jazz improvisation. Emphasizing strengthening inner time, control of form, and fundamental harmony while addressing motivic development through rhythmic exercises. Students engage in transcription and analysis of exemplarity solos by jazz legends.
MyPlan Course Details: MUSIC 367 (student access only)

MUSIC 368 Essential Skills in Jazz Improvisation II (2) VLPA
Addresses skills in jazz improvisation at a more complex level. Emphasizing control of complex cross rhythms and ear training. Harmonic knowledge acquired through improvisational techniques and analysis of selections from the American Songbook. Prerequisite: MUSIC 367
MyPlan Course Details: MUSIC 368 (student access only)

MUSIC 369 Essential Skills in Jazz Improvisation III (2) VLPA
Addresses skills in jazz improvisation at a more complex level. Emphasizing advanced harmonic approaches that address extensions, altered extensions and resolutions, intervallic inventions, polytonality, chromatics, and triadic chromatics. Addresses improvisation in odd meter. Prerequisite: MUSIC 368.
MyPlan Course Details: MUSIC 369 (student access only)

MUSIC 379 Junior Recital (1) VLPA
For participants in the Bachelor of Music degree program only.
MyPlan Course Details: MUSIC 379 (student access only)

MUSIC 380 Instrumental Conducting (1) VLPA Salzman
Acquaints the beginning conductor with beat patterns and their expressive modifications, basic rehearsal techniques, and score study. Prerequisite: either MUSIC 212 or MUSIC 302.
MyPlan Course Details: MUSIC 380 (student access only)

MUSIC 381 Instrumental Conducting (1) VLPA Salzman
Acquaints the beginning conductor with beat patterns and their expressive modifications, basic rehearsal techniques, and score study. Prerequisite: MUSIC 380.
MyPlan Course Details: MUSIC 381 (student access only)

MUSIC 382 Instrumental Conducting (1) VLPA Salzman
Acquaints the beginning conductor with beat patterns and their expressive modifications, basic rehearsal techniques, and score study. Prerequisite: MUSIC 381.
MyPlan Course Details: MUSIC 382 (student access only)

MUSIC 384 Ideas In Music (5) VLPA/I&S Taricani
Examines selected sources and compositions of music from the Western tradition (from the tenth through the twentieth centuries), in relation to the intellectual background of the periods and countries that produced them. Musical studies accompanied by assigned readings in philosophical, religious, literary, and artistic texts in addition to the primary readings in musical history.
MyPlan Course Details: MUSIC 384 (student access only)

MUSIC 388 Jazz Pedagogy (2) VLPA
Stylistic and esthetic developments in the performance of jazz. Key musical ingredients in the evolution of jazz as an art form and the skills commensurate with teaching these. Designed for music majors.
MyPlan Course Details: MUSIC 388 (student access only)

MUSIC 390 Special Topics in Music (3, max. 9) VLPA Starr
Topics vary.
MyPlan Course Details: MUSIC 390 (student access only)

MUSIC 391 Composition (3, max. 9) VLPA
One-hour private instruction and one-hour laboratory session each week. Prerequisite: MUSIC 291.
MyPlan Course Details: MUSIC 391 (student access only)

MUSIC 394 Instrumentation (3) VLPA Durand, Hodge
Survey of the basic characteristics and techniques of instruments of the orchestra and practical experience in scoring for various instrumental combinations. Also covers topics such as transcription of solo works for ensemble and basic arranging in jazz and other styles. Prerequisite: MUSIC 303; MUSIC 306.
MyPlan Course Details: MUSIC 394 (student access only)

MUSIC 400 Computer Applications to Music (3, max. 9) VLPA
Music workstation applications using microcomputers, music synthesizers, and analog-to-digital converters: music editing and score production, transcription, waveform and spectral analysis, and introduction to programming.
MyPlan Course Details: MUSIC 400 (student access only)

MUSIC 401 Digital Sound Synthesis (5) VLPA
Introduction to software sound synthesis techniques. Project-based course focused on creating experimental sound compositions framed by context of the Western Art Music Tradition. Includes acoustics and psychoacoustics; virtual synthesizers; wavetable synthesis; additive synthesis; ring, amplitude, and frequency modulation synthesis; granular synthesis; and noise and subtractive synthesis. Offered: jointly with DXARTS 461; A.
MyPlan Course Details: MUSIC 401 (student access only)

MUSIC 402 Digital Sound Processing (5) VLPA
Introduction to digital sound processing techniques. Project-based course focused on creating experimental sound compositions framed by context of the Western Art Music Tradition. Includes digital effects; delay lines; introduction to digital filtering; FIR and IIR filters; reverberation; virtual-room acoustics and sound location; time-domain transformation of sound; andgranulation and time stretching. Prerequisite: DXARTS 461/MUSIC 401. Offered: jointly with DXARTS 462; W.
MyPlan Course Details: MUSIC 402 (student access only)

MUSIC 403 Advanced Digital Sound Synthesis and Processing (5) VLPA
Advanced sound processing and synthesis techniques. Includes sound time warping; analysis-synthesis techniques; linear predictive coding; the phase vocoder; frequency-domain sound transformations; introduction to physical modeling. Prerequisite: DXARTS 462/MUSIC 402. Offered: jointly with DXARTS 463; Sp.
MyPlan Course Details: MUSIC 403 (student access only)

MUSIC 405 Liturgics and Hymnology: Practical Applications I (3) VLPA Cleveland
Prepares organ majors and other advanced organ students to play hymns in a manner that inspires congregational singing. Includes a study of hymnology from the early church to contemporary hymns of today. Explores several denominational hymns and many styles of improvisation, including baroque, romantic, and contemporary techniques. Prerequisite: MUSIC 302; MUSIC 305; MUHST 212. Offered: A.
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MUSIC 406 Liturgics and Hymnology: Practical Applications II (3) VLPA Cleveland
Surveys small and large choral works including anthems, oratories, Requiem Masses, and Mass settings of major composers of the sixteenth century to present day. Resources drawn from the performing ensembles library, and from area church libraries, and include a detailed study of choral styles and editions. Prerequisite: either MUSIC 303, MUSIC 306, MUHST 210, or MUSIC 405. Offered: W.
MyPlan Course Details: MUSIC 406 (student access only)

MUSIC 407 Liturgics and Hymnology: Practical Applications III (3) VLPA Cleveland
Includes a survey of the necessary skills to run a successful music program in a church or synagogue. Provides an overview of traditional and contemporary liturgies, handbells, orchestral instruments and their use in worship and a special emphasis on the directing of children's choirs. Prerequisite: either MUSIC 303, MUSIC 306, MUHST 210, or MUSIC 406. Offered: Sp.
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MUSIC 410 ElectroAcoustic Music: History and Analysis (3) VLPA
Examines the music of major electro-acoustic composers. Emphasis on the relationship between technological resources and compositional advances. Addresses issues raised by the diversity of approaches to musical composition; relates particular creative contributions to the historical, cultural, and technological contexts in which they originated. Prerequisite: MUSIC 303; MUSIC 306; MUHST 210. Offered: Sp.
MyPlan Course Details: MUSIC 410 (student access only)

MUSIC 411 Non-Traditional Improvisation/Composition Techniques for Jazz Performers I (2) VLPA Vu
Guides students through the process of experimentation while discovering and developing musical originality and striving for innovations in jazz. Students address conceptual approaches to non-idiomatic group improvisation and original composition that incorporates and fosters improvisation, and explore techniques in generating and developing building blocks of musical material and form. Offered: A.
MyPlan Course Details: MUSIC 411 (student access only)

MUSIC 412 Non-Traditional Improvisation/Composition Techniques for Jazz Performers II (2) VLPA Vu
Continuation of MUSIC 411, working at a more developed and complex level to experiment and strive for originality and innovation in jazz. Students address conceptual approaches to non-idiomatic group improvisation and original composition that incorporates and fosters improvisation, and explore techniques in generating and developing building blocks of musical material and form. Prerequisite: MUSIC 411. Offered: W.
MyPlan Course Details: MUSIC 412 (student access only)

MUSIC 413 Non-Traditional Improvisation/Composition Techniques for Jazz Performers III (2) VLPA Vu
Continuation of MUSIC 411, working at a more advanced and complex level to experiment and strive for originality and innovation in jazz. Students address conceptual approaches to non-idiomatic group improvisation and original composition that incorporates and fosters improvisation, and explore techniques in generating and developing building blocks of musical material and form. Prerequisite: MUSIC 412. Offered: Sp.
MyPlan Course Details: MUSIC 413 (student access only)

MUSIC 414 Finding an American Voice (3) VLPA
Investigation of why certain works have been received as characteristically and representatively "American" in nature, extending the inquiry concerning an "American voice" to arts like poetry and painting, along with music. Examples for study include music by composers such as Gershwin, and Dickenson's poetry, along with composers' settings of it. Instructor: Starr.
MyPlan Course Details: MUSIC 414 (student access only)

MUSIC 415 The American Musical (3) VLPA
Advanced course in the American stage and film musical, emphasizing detailed study of representative works as totalities: Show Boat, Porgy and Bess, shows by Rodgers & Hammerstein and Sondheim, film musical starring Astaire and Rogers, and others. Contributions of composers, lyricists, choreographers, directors, and performers to development of the genre. Instructor: Starr.
MyPlan Course Details: MUSIC 415 (student access only)

MUSIC 416 The Blues (3) VLPA
Investigation of the many forms, styles, and genres of music linked with the blues, and of the ways in which the blues has contributed to the shaping and essence of musical culture, from the early twentieth century to the present. Instructor: Starr.
MyPlan Course Details: MUSIC 416 (student access only)

MUSIC 417 Classical Music in America (3) VLPA
History of classical music composers, performers, audiences, and institutions in America, with a critical look at the situation of these groups and institutions today, in light of how they arrived at their current status, and a consideration of what the future may hold for them. Instructor: Starr.
MyPlan Course Details: MUSIC 417 (student access only)

MUSIC 418 Baroque Ornamentation and Improvisation (3) VLPA Terry
The study of ornamentation and improvisation for keyboard, woodwinds, voice, and strings of selected German, Italian, French, and English repertoire from 1600 to 1800.
MyPlan Course Details: MUSIC 418 (student access only)

MUSIC 420 Organ Improvisation and Service Playing I (2) VLPA
Prepares students to improvise, especially for the church/synagogue service. Includes a brief study of hymnology, hymn elaboration, altered harmonizations, improvisation based on existing hymn tunes, interludes, chorale preludes, ornamented chorales. Prerequisite: MUSIC 303; MUSIC 306. Offered: A.
MyPlan Course Details: MUSIC 420 (student access only)

MUSIC 421 Organ Improvisation and Service Playing II (2) VLPA
Continuation of MUSIC 420. Includes brief review of figured bass and functional harmony, free improvisation in simple antecedent/consequent ABA forms and more complex forms (rondo, theme, and variation), improvising partitas, interludes, improvisations based on plainchant. A survey of important improvisation texts. Prerequisite: MUSIC 420. Offered: W.
MyPlan Course Details: MUSIC 421 (student access only)

MUSIC 422 Organ Improvisation and Service Playing III (2) VLPA
Continuation of MUSIC 421. Advanced improvisation: baroque improvisation techniques, fughettas, baroque praeludias and fantasias, canons, toccatas, duos, trios, and simple fugues. Prerequisite: MUSIC 421. Offered: Sp.
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MUSIC 426 Advanced Jazz Arranging (2) VLPA
Advanced arranging techniques for jazz ensembles of various sizes, exploring methods employed by Duke Ellington, Gil Evans, and others. Assignments include one original arrangement each for small-combo and full-jazz ensemble. Prerequisite: MUSIC 336. Offered: W.
MyPlan Course Details: MUSIC 426 (student access only)

MUSIC 427 Music of Africa (3) VLPA/I&S
Music cultures of Africa. Traditional styles and more recent developments. Open to all students with an interest in the area. Prerequisite: MUSIC 317.
MyPlan Course Details: MUSIC 427 (student access only)

MUSIC 428 Music of North India (3) VLPA/I&S
Classical music of North India, the Hindustani tradition with emphasis on the Dhrupad and Khyal styles. Recommended: ethnomusicology or South Asian studies background.
MyPlan Course Details: MUSIC 428 (student access only)

MUSIC 429 String Orchestral Repertoire (2, max. 18) VLPA
Intended for undergraduate BA/BM and BM music majors. Offered: AWSp.
MyPlan Course Details: MUSIC 429 (student access only)

MUSIC 430 Organology (3) VLPA
Systematic study of musical instruments, involving the history, acoustical phenomena, and physical topologies of instruments from around the world, with emphasis on non-Western music.
MyPlan Course Details: MUSIC 430 (student access only)

MUSIC 433 Music of Latin America (3) VLPA/I&S
The music of the Spanish-, French-, and Portuguese-speaking New World countries.
MyPlan Course Details: MUSIC 433 (student access only)

MUSIC 434 Pedagogy (2) VLPA
Principles of effective studio teaching; survey and evaluation of teaching materials.
MyPlan Course Details: MUSIC 434 (student access only)

MUSIC 435 Pedagogy (2) VLPA
Principles of effective studio teaching; survey and evaluation of teaching materials.
MyPlan Course Details: MUSIC 435 (student access only)

MUSIC 436 Pedagogy (2) VLPA
Principles of effective studio teaching; survey and evaluation of teaching materials.
MyPlan Course Details: MUSIC 436 (student access only)

MUSIC 437 Studio Class (2, max. 24) VLPA
Performance and pedagogical concepts. Topics vary. Offered: AWSp.
MyPlan Course Details: MUSIC 437 (student access only)

MUSIC 438 Problems in Contemporary Music Performance (3, max. 9) VLPA
An active course examining and solving problems relevant to the successful performance of twentieth-century music. Preparation for complex rhythms, odd groupings, new notation, and extended performing techniques.
MyPlan Course Details: MUSIC 438 (student access only)

MUSIC 439 Music of Indonesia (3) VLPA/I&S
Includes the traditions of Sumatra, Sunda, Java, Bali, Sunda Islands, and the Philippines. Open to students in music and to students with an interest in the area.
MyPlan Course Details: MUSIC 439 (student access only)

MUSIC 444 Music of the Near East (3) VLPA/I&S
Classical and folk musical traditions of Iran, Turkey, and the Arab world. Prerequisite: MUSIC 316.
MyPlan Course Details: MUSIC 444 (student access only)

MUSIC 445 Selected Topics in Ethnomusicology (3/5, max. 15) VLPA/I&S
Deals with areas not covered by other courses in ethnomusicology. Content varies with different instructors.
MyPlan Course Details: MUSIC 445 (student access only)

MUSIC 446 Music in American Cultures (3) VLPA/I&S
Compares musical history and experience of selected American cultures that have fed into the American musical mainstream or had significant popularity on its periphery. Case studies may include African Americans, Latino/a Americans, Jewish Americans, Asian Americans, or European Americans. Considerations of social identity as well as musical styles. Offered: jointly with AES 446.
MyPlan Course Details: MUSIC 446 (student access only)

MUSIC 447 Music of Southern India (3) VLPA/I&S
Classical music of South India, the Karnatic tradition, with emphasis on the concert repertoire. Recommended: ethnomusicology or South Asian studies background.
MyPlan Course Details: MUSIC 447 (student access only)

MUSIC 448 Music of China (3) VLPA/I&S
Confucian philosophies that relate to music, theory, scale systems, cosmology. Development of instrumental styles, vocal and dramatic regional forms from early historical periods to the present. Recommended: ethnomusicology or East Asian studies background.
MyPlan Course Details: MUSIC 448 (student access only)

MUSIC 449 Advanced Piano Repertoire (2, max. 6) VLPA/I&S McCabe, Sheppard
For piano majors who wish an in-depth survey of major areas of the piano repertoire. Prerequisite: MUSIC 328. Offered: AWSp.
MyPlan Course Details: MUSIC 449 (student access only)

MUSIC 450 Percussion Education Institute (2) VLPA Collier, Crusoe
Intensive four-week institute focusing on techniques in percussion, timpani, and mallet performance. Intended for music educators with little or no percussion experience desiring additional training to enhance their careers as music teachers. Includes private instruction, master classes, and percussion ensemble participation. Prerequisite: MUSAP 217.
MyPlan Course Details: MUSIC 450 (student access only)

MUSIC 451 Summer Jazz Institute (1) VLPA Brockman, Collier, Seales
Intensive one-week institute designed for the serious jazz student as well as for music educators. Six hours of daily instruction in jazz theory, ear-training, improvisation, arranging, as well as emphasis on rehearsal and performance techniques through sectional workshops and small group "jam sessions."
MyPlan Course Details: MUSIC 451 (student access only)

MUSIC 454 Organ Pedagogy (3) VLPA Terry
Pedagogical approaches to organ techniques and performance practice; provides opportunity for practical application by means of student teaching. Offered: Sp, even years.
MyPlan Course Details: MUSIC 454 (student access only)

MUSIC 455 Choral Arranging (3) VLPA
Primarily for choral conductors who need to modify, arrange, or compose material to suit the capabilities of specific choral groups and performance situations.
MyPlan Course Details: MUSIC 455 (student access only)

MUSIC 458 Organ Repertoire: Middle Ages through Baroque (3) VLPA Terry
Analysis and performance practices of organ literature, Middles Ages through baroque period. Development of the organ as musical instrument. Prerequisite: either MUHST 400, MUHST 401, MUHST 402, MUHST 403, MUHST 406, or MUHST 407. Offered: A, even years.
MyPlan Course Details: MUSIC 458 (student access only)

MUSIC 459 Organ Repertoire: Bach to Present (3) VLPA Terry
Analysis and performance practices of organ literature, classical period through the twentieth century. Development of the organ as a musical instrument. Prerequisite: either MUHST 408, MUHST 409, MUHST 410, MUHST 411, MUHST 412, MUHST 413, MUHST 414, MUHST 415, MUHST 417, MUHST 418, MUHST 419, MUHST 423, MUHST 424, or MUHST 426. Offered: W, even years.
MyPlan Course Details: MUSIC 459 (student access only)

MUSIC 460 Advanced Vocal Repertoire: Pre-Nineteenth-Century Art Songs (2, max. 6) VLPA
Professional preparation of pre-nineteenth-century songs with a view to total artistic-musical realization in performance. Appropriate style, character, balance, phrasing, diction, and projection for vocalists and pianists. Prerequisite: MUSIC 328.
MyPlan Course Details: MUSIC 460 (student access only)

MUSIC 461 Advanced Vocal Repertoire: Nineteenth-Century Art Songs (2, max. 6) VLPA
Professional preparation of works from the literature of nineteenth-century German lieder, with a view to total artistic-musical realization in performance. Appropriate style, character, balance, phrasing, diction, and projection for vocalists and pianists. Prerequisite: MUSIC 460.
MyPlan Course Details: MUSIC 461 (student access only)

MUSIC 462 Advanced Vocal Repertoire: Twentieth-Century Art Songs (2, max. 6) VLPA
Preparation of works from the twentieth-century repertoire of French, German, Italian, Spanish, and English songs, with a view to total artistic-musical realization in performance. Appropriate style, character, balance, phrasing, diction, and projection for vocalists and pianists. Prerequisite: MUSIC 461.
MyPlan Course Details: MUSIC 462 (student access only)

MUSIC 464 Jazz Laboratory (1, max. 9) VLPA
Forum for testing new technical skills, improvisational techniques, and jazz compositions and/or arrangements in a formal laboratory setting.
MyPlan Course Details: MUSIC 464 (student access only)

MUSIC 465 Acting for Singers (2, max. 6) VLPA
Workshop designed specifically for the singing actor, focusing on character analysis, movement, and audition deportment skills.
MyPlan Course Details: MUSIC 465 (student access only)

MUSIC 467 Advanced Jazz Improvisation I (1) VLPA Collier, Seales
Performance techniques in jazz improvisation for the advanced student. Prerequisite: MUSIC 369.
MyPlan Course Details: MUSIC 467 (student access only)

MUSIC 468 Advanced Jazz Improvisation II (1) VLPA Collier, Seales
Performance techniques in jazz improvisation for the advanced student. Prerequisite: MUSIC 467.
MyPlan Course Details: MUSIC 468 (student access only)

MUSIC 469 Advanced Jazz Improvisation III (1) VLPA Collier, Seales
Performance techniques in jazz improvisation for the advanced student. Prerequisite: MUSIC 468.
MyPlan Course Details: MUSIC 469 (student access only)

MUSIC 470 Analysis of Tonal Music: Introduction to Schenker (3) VLPA Bernard
Introduction to the theories of Heinrich Schenker and their subsequent development; analysis of music from the common-practice period (1700-1900), with possible excursions into the twentieth century. Prerequisite: either both MUSIC 303 and MUHST 212 or both MUSIC 312 and MUHST 215.
MyPlan Course Details: MUSIC 470 (student access only)

MUSIC 471 Introduction to Atonal Theory and Analysis (3) VLPA Bernard
Theory of atonal music, including the "classical" twelve-tone repertoire. Analysis of works by Schoenberg, Berg, Webern, and others. Prerequisite: either both MUSIC 303 and MUHST 212 or both MUSIC 312 and MUHST 215.
MyPlan Course Details: MUSIC 471 (student access only)

MUSIC 472 Analysis of Twentieth Century Music, 1900-1950 (3, max. 6) VLPA Bernard, Durand, Hodge
Analytical examination of musical works of the first half of the twentieth century in Europe and the United States, with emphasis on music other than that of the second Viennese school. Prerequisite: either both MUSIC 303 and MUHST 212 or both MUSIC 312 and MUHST 215.
MyPlan Course Details: MUSIC 472 (student access only)

MUSIC 473 Keyboard Harmony and Transposition (3) VLPA Terry
Keyboard harmonization from the baroque period to present; transposition of vocal and instrumental pieces to different pitch levels. Prerequisite: either both MUSIC 303 and MUHST 212 or both MUSIC 312 and MUHST 215. Offered: A, odd years.
MyPlan Course Details: MUSIC 473 (student access only)

MUSIC 474 Keyboard Harmony and Transposition (3) VLPA Terry
Keyboard harmonization from the baroque period to present; transposition of vocal and instrumental pieces to different pitch levels. Prerequisite: MUSIC 473. Offered: W, odd years.
MyPlan Course Details: MUSIC 474 (student access only)

MUSIC 475 Figured Bass Realization (3) VLPA Terry
Various styles of continuo realization for keyboardists, emphasizing Bach cantatas, Haydn symphonies, and Mozart operas. Prerequisite: MUSIC 474. Offered: Sp, odd years.
MyPlan Course Details: MUSIC 475 (student access only)

MUSIC 476 Advanced Vocal Repertoire: Seventeenth and Eighteenth Centuries (2) VLPA
Opera repertoire, 1600 to the Bel Canto era (Bellini, Rossini, Donizetti); style, traditions, embellishments in Italian, French, and German arias. Prerequisite: MUSIC 328.
MyPlan Course Details: MUSIC 476 (student access only)

MUSIC 477 Advanced Vocal Repertoire: Nineteenth Century (2) VLPA
Opera repertoire, the post Bel Canto era through Verdi, Puccini and verismo, and significant German, French, and Slavic repertoire. Prerequisite: MUSIC 476.
MyPlan Course Details: MUSIC 477 (student access only)

MUSIC 478 Advanced Vocal Repertoire: Twentieth Century (2) VLPA
Opera repertoire, twentieth-century opera literature (Barber, Menotti, Bartok, Dvorak); understanding of style, character, and overall artistic and musical needs of the present. Prerequisite: MUSIC 477.
MyPlan Course Details: MUSIC 478 (student access only)

MUSIC 479 Senior Recital (1) VLPA
MyPlan Course Details: MUSIC 479 (student access only)

MUSIC 480 The Anthropology of Music (3) VLPA/I&S
Analysis of aspects of anthropological thought influential in ethnomusicology. Critical evaluation of dominant theoretical schools and modes of explanation, e.g., evolutionist, diffusionist, historical particularist, structuralist, functionalist, symbolist, and semiotic, through detailed examination of seminal texts. Offered: jointly with ANTH 430.
MyPlan Course Details: MUSIC 480 (student access only)

MUSIC 481 Choral Repertoire: Sixteenth and Seventeenth Centuries (3) VLPA Boers, Wyers
Sacred and secular choral literature from the Renaissance through the early baroque, covering Europe and England. Various genres and styles of major composers, including performance practice, rehearsals, and conducting.
MyPlan Course Details: MUSIC 481 (student access only)

MUSIC 482 Choral Repertoire: Eighteenth Century (3) VLPA Boers, Wyers
Sacred and secular choral literature of the baroque, covering mainland Europe and England. Choral works of Bach, his predecessors, and contemporaries. Stylistic analysis and study of performance practice.
MyPlan Course Details: MUSIC 482 (student access only)

MUSIC 483 Choral Repertoire: Nineteenth Century (3) VLPA Boers, Wyers
Sacred and secular choral literature of the nineteenth century, covering mainland Europe and England. Analysis of accompanied and a cappella choral works by major composers with implications for conducting and programming of literature.
MyPlan Course Details: MUSIC 483 (student access only)

MUSIC 484 Choral Repertoire: Twentieth Century (3) VLPA Boers, Wyers
Choral literature of the twentieth century, covering America, England, and mainland Europe. Various genres and styles, including score study and teaching strategies.
MyPlan Course Details: MUSIC 484 (student access only)

MUSIC 485 Topics in the Analysis of American Music (3, max. 9) VLPA Bernard
Includes close analytical study of specific repertoires of American music.
MyPlan Course Details: MUSIC 485 (student access only)

MUSIC 487 Tonal Counterpoint (3) VLPA Bernard, Hodge
Introduction to tonal counterpoint through exercises in analysis and composition, focusing on eighteenth-century styles. Study of melody principles of counterpoint in two and three voices, dance forms, inventions, fugue. Prerequisite: either MUSIC 311 or MUSIC 202.
MyPlan Course Details: MUSIC 487 (student access only)

MUSIC 489 Special Topics in Music Theory (3/5, max. 15) VLPA Bernard, Durand, Hodge
Prerequisite: either both MUSIC 303 and MUHST 210 or both MUSIC 312 and MUHST 314.
MyPlan Course Details: MUSIC 489 (student access only)

MUSIC 491 Composition (3, max. 18) VLPA
One-hour private instruction and one-hour laboratory session each week. Prerequisite: MUSIC 391.
MyPlan Course Details: MUSIC 491 (student access only)

MUSIC 492 Opera Direction and Production (4) VLPA
Practical experience with problems of the theater.
MyPlan Course Details: MUSIC 492 (student access only)

MUSIC 493 Opera Direction and Production (4) VLPA
Practical experience with problems of the theater. Prerequisite: MUSIC 492.
MyPlan Course Details: MUSIC 493 (student access only)

MUSIC 495 Music of Japan (3) VLPA/I&S
Survey of major Japanese musical traditions. Open to students in music and East Asian area studies. Prerequisite: MUSIC 316.
MyPlan Course Details: MUSIC 495 (student access only)

MUSIC 498 Senior Thesis (3-, max. 9) VLPA
Design and completion of an individual research project and writing of a thesis under supervision of a faculty member.
MyPlan Course Details: MUSIC 498 (student access only)

MUSIC 499 Undergraduate Research (*, max. 6)
MyPlan Course Details: MUSIC 499 (student access only)

MUSIC 504 Ethnographic Research in Music (3) Campbell, Morrison
Seminar in ethnographic research in music, with attention to the nature of participant-observation and informal interviewing suitable to the discovery of the social and cultural life of individual musicians, and communities and institutions of music.
MyPlan Course Details: MUSIC 504 (student access only)

MUSIC 511 Seminar in Field and Laboratory Methods (3)
Methodology of field research in ethnomusicology along with practical experience. Prerequisite: graduate student standing in ethnomusicology or permission of instructor.
MyPlan Course Details: MUSIC 511 (student access only)

MUSIC 512 Seminar in Ethnomusicology (3/5, max. 30)
Deals with advanced theoretical and methodological problems in ethnomusicology, and with the relationship of ethnomusicology to allied disciplines. Prerequisite: graduate-student standing in ethnomusicology or permission of instructor.
MyPlan Course Details: MUSIC 512 (student access only)

MUSIC 520 Music in Higher Education (3) Morrison
Philosophical and practical issues surrounding music within the context of higher education. Topics include mission and structure of music programs, development of teaching expertise, teacher/student evaluation, academic freedom, and job opportunities. Appropriate for all graduate music students and does not require background in teaching or education.
MyPlan Course Details: MUSIC 520 (student access only)

MUSIC 523 Seminar in Music and Socialization (3, max. 9)
The socialization process and music, including the interaction whereby music culture is learned. Prerequisite: MUSIC 345 or permission of instructor.
MyPlan Course Details: MUSIC 523 (student access only)

MUSIC 526 History of Theory (3)
Ancient, medieval, early Renaissance.
MyPlan Course Details: MUSIC 526 (student access only)

MUSIC 527 History of Theory (3) Bernard
Renaissance, baroque, early classic.
MyPlan Course Details: MUSIC 527 (student access only)

MUSIC 528 History of Theory (3) Bernard
Classic, romantic, twentieth century.
MyPlan Course Details: MUSIC 528 (student access only)

MUSIC 530 Seminar in Music Cognition (3, max. 9)
Study of research literature in cognition and music cognition, particularly as it relates to nonverbal musical experience. Prerequisite: MUSIC 344, or MUSIC 544, or permission of instructor.
MyPlan Course Details: MUSIC 530 (student access only)

MUSIC 531 Proseminar in Ethnomusicology (3)
Theoretical and methodological issues in ethnomusicology based on historical and contemporary major writings. Critical evaluations of works with a broad view toward developing ethnomusicological research. Prerequisite: permission of instructor.
MyPlan Course Details: MUSIC 531 (student access only)

MUSIC 532 Opera Direction and Production (4/6, max. 12)
Practical experience with problems of the opera theatre.
MyPlan Course Details: MUSIC 532 (student access only)

MUSIC 533 Preceptorial Readings in Ethnomusicology (5)
Significant ethnomusicological literature on the music cultures of Asia. Meets with MUSIC 316. Prerequisite: graduate student standing in ethnomusicology and permission of instructor.
MyPlan Course Details: MUSIC 533 (student access only)

MUSIC 534 Preceptorial Readings in Ethnomusicology (5)
Significant ethnomusicological literature on the music cultures of Africa, the Americas, and Oceania. Meets with MUSIC 317. Prerequisite: graduate student standing in ethnomusicology and permission of instructor.
MyPlan Course Details: MUSIC 534 (student access only)

MUSIC 535 Preceptorial Readings in Ethnomusicology (5)
Significant ethnomusicological literature on the music cultures of Europe and North America. Meets with MUSIC 318. Prerequisite: graduate student standing in ethnomusicology and permission of instructor.
MyPlan Course Details: MUSIC 535 (student access only)

MUSIC 536 Transcription and Analysis (3)
Study of the methodological principles of transcription and analysis, together with practical exercises in developing transcription skills. Prerequisite: graduate student standing in ethnomusicology and permission of instructor.
MyPlan Course Details: MUSIC 536 (student access only)

MUSIC 544 Psychology of Music: Music Cognition (5)
Critical examination of questions, designs, and conclusions of previous research in a variety of areas related to music cognition including music performance, musical creativity, musical affect, musical preference, social psychology, and neuroscience. Discusses the role of theory, method, and typical procedures for psychological research.
MyPlan Course Details: MUSIC 544 (student access only)

MUSIC 551 Practicum in Music Instruction (3, max. 9)
Practical application and validation of results of investigation in curriculum, music teaching and learning, performance, and theoretical studies. Prerequisite: teaching experience, or permission of instructor.
MyPlan Course Details: MUSIC 551 (student access only)

MUSIC 553 Advanced Choral Techniques (2, max. 18) Boers, Wyers
Practical application of technique and pedagogy related to choral music. Surveys major choral repertoire. Concurrent enrollment in MUSIC 583 required.
MyPlan Course Details: MUSIC 553 (student access only)

MUSIC 559 Master's Recital (3, max. 6)
Public performance for students in the Master of Music degree program. Prerequisite: permission of instructor and Master of Music program standing.
MyPlan Course Details: MUSIC 559 (student access only)

MUSIC 570 Seminar in Schenkerian Analysis (3, max. 9) Bernard
Advanced work in Schenkerian analysis. Prerequisite: MUSIC 470.
MyPlan Course Details: MUSIC 570 (student access only)

MUSIC 571 Seminar in Serialism (3, max. 9) Bernard
Advanced theoretical and analytical work in serialism and other nontonal systems. Prerequisite: MUSIC 471, or equivalent.
MyPlan Course Details: MUSIC 571 (student access only)

MUSIC 572 Advanced Topics in Computer Music (3) Karpen
Topics vary. Offered: AWSpS.
MyPlan Course Details: MUSIC 572 (student access only)

MUSIC 573 Seminar in Tonal Analysis (3, max. 9)
Modern theoretical and analytical methods appropriate to study of western music of the eighteenth and nineteenth centuries, conceived independently of or in response to the work of Heinrich Schenker. Prerequisite: MUSIC 470 or permission of instructor.
MyPlan Course Details: MUSIC 573 (student access only)

MUSIC 574 Analysis of Twentieth-Century Music: 1950 - Present (3) Bernard, Durand, Hodge, Karpen
Analytical examination of major works of second half of twentieth century. Prerequisite: MUSIC 471; MUSIC 472, or permission of instructor.
MyPlan Course Details: MUSIC 574 (student access only)

MUSIC 575 Seminar in Theory (3, max. 18) Bernard
Development and discussion of current student and faculty research in compositional/analytical theory and metatheory.
MyPlan Course Details: MUSIC 575 (student access only)

MUSIC 576 Critical Theory of Music (3, max. 18)
Philosophical foundations of the criticism of music, including relevant contemporary thought in the criticism of literature and the other arts.
MyPlan Course Details: MUSIC 576 (student access only)

MUSIC 577 Composers of the Twentieth Century (3, max. 9) Bernard, Durand, Hodge, Karpen
Analytical examination of the work of a major composer of the twentieth century. Prerequisite: MUSIC 574, or permission of instructor.
MyPlan Course Details: MUSIC 577 (student access only)

MUSIC 580 Advanced Conducting (3, max. 9) Salzman
MyPlan Course Details: MUSIC 580 (student access only)

MUSIC 581 Advanced Conducting (3, max. 9) Salzman
MyPlan Course Details: MUSIC 581 (student access only)

MUSIC 582 Advanced Conducting (3, max. 9) Salzman
MyPlan Course Details: MUSIC 582 (student access only)

MUSIC 583 Advanced Choral Conducting (2, max. 18) Boers, Wyers
MyPlan Course Details: MUSIC 583 (student access only)

MUSIC 590 Keyboard and Doctoral Lecture Recital or Concerto Recital (6, max. 18)
Lecture recital or concerto recital for students in the Doctor of Musical Arts in piano performance, in harpsichord performance, and in organ performance degree programs.
MyPlan Course Details: MUSIC 590 (student access only)

MUSIC 591 Graduate Composition (*, max. 30) Bernard, Durand, Karpen
MyPlan Course Details: MUSIC 591 (student access only)

MUSIC 599 Advanced Selected Topics (1-3, max. 27)
Selected readings on current issues and problems in music. Prerequisite: permission of a supervising music faculty member.
MyPlan Course Details: MUSIC 599 (student access only)

MUSIC 600 Independent Study or Research (*-)
MyPlan Course Details: MUSIC 600 (student access only)

MUSIC 700 Master's Thesis (*-)
MyPlan Course Details: MUSIC 700 (student access only)

MUSIC 800 Doctoral Dissertation (*-)
MyPlan Course Details: MUSIC 800 (student access only)