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Instructor Class Description

Time Schedule:

Juan C. Pampin
Seattle Campus

Digital Sound Synthesis

Introduction to software sound synthesis techniques. Includes acoustics and psychoacoustics; virtual synthesizers and unit generators; table-lookup oscillators and wavetable synthesis; additive synthesis; modulation synthesis; ring amplitude, phase and frequency; granular synthesis; noise; subtractive synthesis and filters. Offered: jointly with DXARTS 461; A.

Class description

Music 401-3 is a year-long course on the fundamentals of computer sound synthesis, composition, and research.

It is designed to provide a thorough technical and conceptual grounding for future exploration for composers or digital sound synthesis designers.

It is a course that emphasizes this thorough grounding over immediate return; often it takes well into two quarters before students are able make sounds of a quality that they would want their dog, let alone their peers, to hear.

It is a course in which students learn to use programming languages to design sound synthesis algorithms.

It is a course on the use of computer programming as a music-compositional tool.

However, the course does not presume knowledge of computer programming of entering students.

Student learning goals

General method of instruction

Recommended preparation

Class assignments and grading

The information above is intended to be helpful in choosing courses. Because the instructor may further develop his/her plans for this course, its characteristics are subject to change without notice. In most cases, the official course syllabus will be distributed on the first day of class.
Additional Information
Last Update by Michael J. Furr
Date: 10/09/2003