"An excellent and thorough work and a significant and important addition to our understanding of the role that folklore and popular culture play in shaping political events."
-Timothy Tangherlini, UCLA
"A monumental study addressing a sorely neglected aspect of one of the last century's most dramatic geopolitical upheavals. This book will stand, for years and even decades to come, as the standard, authoritative source on its topic."
-Kevin C. Karnes, Emory University
"The book features 112 songs connected to the Singing Revolution. . . . Smidchens explores the context of each song - both the events at which it was sung and the speeches that surrounded it - and delves into political science theory and music therapy to better understand how songs became powerful tools of protest."
"This engaging, well-researched book not only offers an account of the 'singing revolution' that took place in Estonia, Latvia, and Lithuania at the close of the Soviet era but also addresses the issue of whether, and how, nonviolent protest can result in a secure national identity. . . . Of value not only to musicologists but also to those pursuing Soviet and post-Soviet studies, peace studies, and political science."
"An exceptional study, outstanding, and gently unconventional...The Power of Song is a true achievement. Surpassing this book will be a difficult task, not least because very few scholars are able to conduct research in Estonian, Latvian, and Lithuanian...Reading this book was an enjoyable experience and I would recommend it to anybody interested in the culture and history of the Baltic states, nationalism, Herder, nonviolent political movements, singing, and the folklore movement."
-Elo-Hanna Seljamaa, Journal of Folklore Research
"Combines an anthropological and ethnological approach with a refined musicological analysis of more than a hundred choral, rock, and folk songs. He also brings into his analysis findings from social psychology...as well as insights from peace and conflict research concerning the use of nonviolence as an instrument of struggle against a militarily strong repressive power."
-Kristian Gerner, Slavic Review