Description
Andrew Lau and Alan Mak's Infernal Affairs - The Trilogy
Gina Marchetti
- $17.95 paperback (9789622098015) Add to Cart
- hardcover not available
- Published: 2007
- Subject Listing: Film Studies, Asian Studies, Cultural Studies
- Bibliographic information: 156 pp., 5.5 x 7.5 in.
- Territorial rights: North American rights only
- Distributed for: Hong Kong University Press
- Series: The New Hong Kong Cinema Series
- Contents
Infernal Affairs has received journalistic, popular and corporate notice but little vigorous critical attention. In this book, Gina Marchetti explores the way this example of Hong Kong's cinematic eclecticism have crossed borders as a story, a commercial product and a work of art; and has had an undeniable impact on current Hong Kong cinema. Moreover she uses this film to highlight the way Hong Kong cinema continues to be inextricably intertwined with global film culture and the transnational movie market.
Infernal Affairs served as the source for the Academy Award-winning film The Departed (2006). The Martin Scorsese-directed film won Oscars for best motion picture, director, adapted screenplay and film editing. This is the first time that an American film based on a Hong Kong production swept the Academy Awards by winning four top prizes.
Gina Marchetti is an Associate Professor in Comparative Literature at the University of Hong Kong. She is the author of Romance and the "Yellow Peril": Race, Sex, and Discursive Strategies in Hollywood Fiction (1993) and From Tian'anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens (1989-1997) (2006).
Contents
Series Preface
Acknowledgements
1. Introduction: The New Wave and the Generic Abyss
2. Forgotten Times: Music, Memory, Time, and Space
3. Allegories of Hell: Moral Tales and National Shadows
4. Postmodern Allegory: The Global Economy and New Technologies
5. Identity as Static: Surveillance, Psychoanalysis, and Performance
6. Thieves and Pirates: Beyond "Auteur" Cinema
Appendix 1: Plot Summaries
Appendix 2: Interview with Andrew Lau and Alan Mak
Notes
Credits
Acknowledgements
1. Introduction: The New Wave and the Generic Abyss
2. Forgotten Times: Music, Memory, Time, and Space
3. Allegories of Hell: Moral Tales and National Shadows
4. Postmodern Allegory: The Global Economy and New Technologies
5. Identity as Static: Surveillance, Psychoanalysis, and Performance
6. Thieves and Pirates: Beyond "Auteur" Cinema
Appendix 1: Plot Summaries
Appendix 2: Interview with Andrew Lau and Alan Mak
Notes
Credits
Reviews
