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Tamara Cooper
C LIT 301
Seattle Campus

Theory of Film: Analysis

Introduction to the analysis of film. Covers major aspects of cinematic form: mise en scene, framing and camera movement, editing, and sound and color. Considers how these elements are organized in traditional cinematic narrative and in alternative approaches.

Class description

Like any other medium, cinema is not neutral. In Theories of Cinema Analysis we are going to demystify the 4 main categories of cinema analysis – mis-en-scene, cinematography, sound, and editing as natural elements of visual story telling by looking at their early theoretical developments. What questions were early filmmakers/ theorists asking which allowed them to arrive at these 4 central ways of assembling moving pictures? How were they used as political tools in a social context? What difference have they made in the ways we currently understand cinema, tv and new media? Are contemporary filmmakers continuing to change the way we see?

Student learning goals

General method of instruction

Recommended preparation

Class assignments and grading

The information above is intended to be helpful in choosing courses. Because the instructor may further develop his/her plans for this course, its characteristics are subject to change without notice. In most cases, the official course syllabus will be distributed on the first day of class.
Last Update by Tamara Cooper
Date: 06/06/2012