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Film and Media Studies
NEW AND FORTHCOMING
Bits of Life:
Feminism at the Intersections of Media, Bioscience, and Technology,
edited by Anneke Smelik and Nina Lykke
Carl Theodor Dreyer's
Gertrud: The Moving Word, by James Schamus
Cinema Remixed and
Reloaded: Black Women and the Moving Image Since 1970,
by Andrea
Barnwell Brownlee and Valerie Cassel Oliver
Cinematic
Howling: Women's Films, Women's Film Theories, by Hoi F. Cheu
Crime and Fantasy in
Scandinavia: Fiction, Film, and Social Change, by Andrew Nestingen
PREVIOUSLY PUBLISHED
The Art of the
Ridiculous Sublime: On David Lynch's Lost Highway, by Slavoj Zizek
The Audio Dictionary,
Third Edition, Revised and Expanded, by Glenn D. White and
Gary J. Louie
Freeze Frame: Alaska
Eskimos in the Movies, by Ann Fienup-Riordan
Hitchcock with a
Chinese Face: Cinematic Doubles, Oedipal Triangles, and China's Moral
Voice, by Jerome Silbergeld
Hollywood North: The
Feature Film Industry in British Columbia, by Mike Gasher
Information Ethics:
Privacy, Property, and Power, edited by Adam D. Moore
Popular Culture and
the Shaping of Holocaust Memory in America, by Alan Mintz
Reclaiming Adat:
Contemporary Malaysian Film and Literature, by Khoo Gaik Cheng
Speaking Havoc: Social
Suffering and South Asian Narratives, by Ramu Nagappan
The Transparent Body:
A Cultural Analysis of Medical Imaging, by Jose van Dijck
Vigilante Newspapers:
A Tale of Sex, Religion, and Murder in the Northwest, by
Gerald Baldasty
FILM STUDIES BOOKS DISTRIBUTED FOR HONG KONG UNIVERSITY PRESS
Andrew Lau and
Alan Mak's Infernal Affairs - The Trilogy, by Gina Marchetti
An Annotated
Bibliography for Chinese Film Studies, by Jim Cheng
The Chinese Exotic:
Modern Diasporic Femininity, by Olivia Khoo
Cinema of Feng
Xiaogang: Commercialization and Censorship in Chinese Cinema after
1989, by Zhang Rui
Director in Action: Johnnie To
and the Hong Kong Action Film, by Stephen Teo
East Asian Pop
Culture: Analysing the Korean Wave, edited by Chua Beng Huat and
Koichi Iwabuchi
Feeling Asian Modernities:
Transnational Consumption of Japanese TV Dramas, edited by Koichi
Iwabuchi
Filming Margins: Tang
Shu Shuen, a Forgotten Woman Film Director, by Yau Ching
Fruit Chan's Durian
Durian, by Wendy Gan
Island on the Edge:
Taiwan New Cinema and After, edited by Feii Lu and Chris Berry
John Woo's A Better
Tomorrow, by Karen Fang
King Hu's A Touch of
Zen, by Stephen Teo
Mabel Cheung
Yuen-tin's An Autumn Tale, by Staci Ford
Masculinities and
Hong Kong Cinema, edited by Laikwan Pang and Day Wong
New Television,
Globalization, and the East Asian Cultural Imagination, by Michael
Keane, Anthony Y. H. Fung, and Albert Moran
Projecting
a Nation: Chinese Cinema before 1949, by Jubin Hu
Ruan Ling-yu: The
Goddess of Shanghai, by Richard J. Meyer
Stanley Kwan's Center
Stage, by Mette Hjort
Trauma and Cinema:
Cross-Cultural Explorations, edited by E. Ann Kaplan and Ban Wang
Tsui Hark's Zu:
Warriors from the Magic Mountain, by Andrew Schroeder
Walking between
Slums and Skyscrapers: Illusions of Open Space in Hong Kong, Tokyo
and Shanghai, by Tsung-yi Michelle Huang
Wong Kar-wai's Ashes
of Time, by Wimal Dissanayake
Wong Kar-wai's Happy
Together, by Jeremy Tambling
Young Rebels in Contemporary
Chinese Cinema, by Zhou Xuelin
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