Edited by Robin K. Wright, director of the Bill Holm Center for the Study of Northwest Coast Art, curator of Native American Art at the Burke Museum, and professor of art history in the University of Washington's School of Art and Kathryn Bunn-Marcuse, assistant director of the Bill Holm Center for the Study of Northwest Coast Art at the Burke Museum and visiting lecturer at the University of Washington, Seattle.
The Bill Holm Center publication series publishes important new research on the Native art and culture of the great Pacific Northwest. This series aims to foster appreciation of the dynamic cultural and artistic expressions of the indigenous peoples of the region. Grounded in art history, the series welcomes a variety of approaches to the history of art and expression on the Northwest Coast. The series encompasses investigations of historical productions and contemporary manifestations of cultural expression as well as the important intersections between time, place, technique, and viewpoint. Contributors to the series consider cultural knowledge and the embodiment of that knowledge in material productions from multiple and sometimes conflicting cultural perspectives, expanding the understanding of the role of art in the complicated history of the region. | Printable PDF of the series brochure.
edited by Robin K. Wright and Kathryn Bunn-Marcuse
Return to the Land of the Head Hunters: Edward S. Curtis, the Kwakwaka'wakw, and the Making of Modern CinemaEdited by Brad Evans and Aaron Glass
by Bill Holm