 |
|
|
Eunsu Kang
Extended Profile
|
Eunsu Kang is an international media artist from Korea. She has been invited to more than sixty exhibitions and film festivals around the world. She was awarded her first and second solo exhibitions for her video installations. Her third solo exhibition was held on cellular phones with wireless internet connections. She is also a winner of the Korean National Fund for Emerging Artists in 2005, the Insa Web/Mobile Art Project Award in 2003 and the Korean National Juried Project for 2000: the Year of New Arts. Kang received her MA in Media Arts and Technology from the MAT program at the University of California, Santa Barbara, and her MFA and BFA from the Ewha Womans University in Seoul, Korea. She is currently a PhD student at the Center for Digital Arts and Experimental Media in the University of Washington.
Her current research interests are the use of non-verbal languages as a new forms of communication and interactive video installations representing questions, but not necessarily pursuing answers. Recently she presented an international telematic project between Seattle (USA) and Seoul (Korea) that uses video and sound interaction by participants' shape and motion as a communication interface.
|
|
Max Keene
Extended Profile
|
Max Keene - From a childhood of compulsively taking things apart and putting
them back together, Max has developed a strong interest in understanding how
and why things work as well as an ability to visualize in three dimensions.
Early careers included working as a CAD draftsman for various architecture
firms and then creating photorealistic images of architecture as a 3D artist
for Ron Lloyd associates, where he received a regional Emmy award for special
video effects.
In 2002 he received his BFA from Cornish College of the Arts and shifted his
focus from 3D visualization to a blending of interactive media and sculpture.
This proved to be a perfect balance between exploring the inner workings of
complicated systems and manipulating three-dimensional space. For the last half
decade, he has been creating and showing interactive artwork as well as
developing custom tools and techniques for experimental media.
In 2005 Max founded Interactive Arts, Inc., which designs and builds both
interactive public art and custom control equipment for media artists such as
Trimpin, Gary Hill, Ben Rubin, and many others.
|
|
Joel Kollin
Extended Profile
|
Joel Kollin is a PhD student at the University of Washington's Digital Art and Experimental Media (DXARTS) program, where he is developing an artistic agenda which utilizes immersion and perception at the extremes of sensory awareness to examine the interplay between identity, memory, surveillance, and empathy in an increasingly dissociative, media-centric world. His recent interests include fully immersive installations, environmental sound, synthaesthesia, and systems art where humans form a critical part in a network of complex emergent behavior.
Prior to arriving at DXARTS Mr Kollin worked primarily in the field of display technology for 17 years. He holds several key patents on personal, holographic, and autostereoscopic displays as well as many derivative patents.
|
|
Allison Kudla
Extended Profile
|
Allison Kudla is currently a PhD student and teaching and research assistant at the University of Washington's Center for Digital Arts and Experimental Media (DXARTS). She holds a BFA from the School of The Art Institute of Chicago, 2002. In her work she is interested in using digital media to preserve and discover environments that are in a continual state of flux. She also uses technology in her art to gain greater perspectives on the system in which she exists, with the vision of generating deeply impacting and fully present systemic realities. She hopes for her work to inspire, develop and question the technology it uses, with the pursuit of utilizing art to create meaningful and present experiences that allow us to understand our selves and our habitats in ways no others forms of human inquiry and development could. In her earlier work, she focused on the variation of interiors by producing real-time video/audio renderings using data sensed within the given space. Her most recent work uses data sensed from natural systems to create hybrid bio-mechanical systems.
|
|
William "Pete" Moss
|
William "Pete" Moss became interested in music in highschool, when it
became obvious that he would never become an astronaut. For several
years, he worked on computers and composed music at different times,
until that fateful day when he realized that computers could be used for
music. Since then, he hasnt looked back. Pete has won a few awards for
his music, and has had it played in several parts of the world,
including the USA. He received a BM from Texas Christian University
where he studied with Blaise Ferrandino and Gerry Gabel. He then went
to the University of Texas at Austin, where he studied with Russell
Pinkston and earned his MM. Now he is working towards his DMA at the
University of Washington with Richard Karpen and Juan Pampin. Petes
hobbies include motorcycling and video games, but not video games about
motorcycling.
|
|
Noel Paul
Extended Profile
|
Noel Paul is a doctoral candidate and instructor at DXARTS. As an undergrad he studied computer music with Richard Karpen and Juan Pampin. As a grad he studies experimental art with Shawn Brixey. His music compositions and short films have been played in various countries and won the odd award here and there. As a teacher he has designed new curriculum, most recently a "UW Exploration Seminar" taught in Sicily and Tunisia. Click here for many statements about Noel
|
|
Heather Raikes
Extended Profile
|
Heather Raikes is a media/performance artist and PhD student at DXARTS. She began her formal exploration of art/technology convergence zones performing as a professional dancer with the Erick Hawkins Dance Company while earning an MPS from New York University's Interactive Telecommunications Program. She has been creating physical media and technologically-facilitated evolutions and derivations of performance forms ever since. Current artistic/research interests include hyper-dimensional new media language systems, telematic performance, physical media experience design, and technoetic embodiment.
A Nebraska farmer's daughter, Heather enjoys breaking new ground. Her journey so far has included not only national and international performances and exhibitions, but also positions such as Innovation Coordinator for UC San Diego's Sixth College: Culture | Art | Technology; Research Associate with UCSD's Center for Research in Computing & the Arts; Temple University New Media Producer-In-Residence; establishing Director of Temple's New Media Performance Lab and New Media Interdisciplinary Concentration; and founding partner of Silicon Alley design collective Media Farm.
|
|
Tivon Rice
Extended Profile
|
Tivon Rice (b. 1978) is a new media artist and current PhD student at the University of Washington's Center for Digital Art and Experimental Media. Tivon began his exploration of image and form at the University of Colorado, where he received a BFA in both Electronic Media and Sculpture (2000). He continued these investigations in the University of Washington's masters program in sculpture, during which time he began his studies in experimental video with Shawn Brixey.
Since earning his MFA in 2006 Tivon has received numerous local and national awards including the Joan Mitchell Foundation MFA Grant and the Artist Trust Fellowship, and has exhibited extensively with solo shows throughout the northwest and group shows in New York and Miami. In 2007 he taught experimental video as a visiting artist at DXARTS and formally began his PhD studies.
Tivon is currently exploring systematic image making and the communicative potential of light, form, and environment.
|
|
Hugo Solis
Extended Profile
|
Hugo Solis (1976, México City) is currently a Ph.D student at DXARTS. His main interests are musical structure of improvised music, human computer musical interaction, and audiovisual systems. Currently he works on the development of sonic and visual extensions for acoustic pianos and also plays with the Juum duet.
He holds a DEA of Computer Sciences and Digital Communication from the Pompeu Fabra Univeristy where he was member of the Music Technology Group. At UPF, he founded the ensAmble Crumble and he developed computational analysis of its music.
He also got a Masters degree in Media Arts and Sciences at the MIT Media Laboratory at the Opera of the Future group where he developed IMPI an audiovisual system for improvisatory music. He also contributed to the Toy Symphony project.
As an undergrad, he studied piano, composition and music technology at the Escuela Nacional de Música of the UNAM in Mexico City. He also studied computer music with Nick Didkovsky at NYU. His interests in technology and improvisatory music inspired him to found the NICROM Trio, an interdisciplinary ensemble of electro-acoustic improvisatory music with action painting. Since then, he has played piano and electronics and has collaborated in many interdisciplinary projects in conjunction with dancers, painters, film-makers and radio-artists. In recent years, Hugo has also created several multimedia works and installations. He has received grants from the FONCA, the PAEE-FONCA, the UNAM and TELMEX.
|
|
Ewa Trebacz
Extended Profile
|
Ewa Trebacz (pronounced Eva Trembatch, b.1973, Krakow, Poland) is currently a doctoral candidate at the Center for Digital Arts and Experimental Media (DXARTS), where she has studied computer music with Richard Karpen and Juan Pampin, and experimental video with Shawn Brixey.
Ewa holds Masters" degrees from the Academy of Music (1999, composition, B.Schaeffer) and the Academy of Economics (2000, computer science) in Krakow, Poland. She has been collaborating with animation artists from the Krakow Academy of Fine Arts since 1998, creating music and sound design for short films, with the most recent project a 35-mm clay animation titled Sekwens, and directed by Robert Sowa, 2007.
Her works have been performed, recorded and broadcast internationally, including Poland, Germany, Austria, Italy, Great Britain, the Netherlands and the USA. She has received commissions from music festivals and performers specializing in contemporary music (2003 - Chordochromies for harpsichord and computer-realized sound, written for a Polish-Dutch harpshichordist Goska Isphording; 2005 - Ephemerae commissioned by the Klangspuren Festival in Austria, written for the Windkraft Ensemble; 2007 - the 50th International Festival of Contemporary Music Warsaw Autumn: a work involving a 3-dimentional sound system and a spatially distributed symphony orchestra, premiered in September 2007, under the direction of Arturo Tamayo).
Her current research is oriented towards experimental media, focusing on spatial aspects of the experience of a work of art, with a special focus on the two immersive techniques: ambisonics and stereoscopy. Her dissertation project is based on the idea of the separation and manipulation of spatial cues, both visual and sonic, in order to design a game of illusions, to create a continuum between the synthetic and live sources, and to challenge the borders of perceptual limitations.
|
|
Nicolas Varchausky
Extended Profile
|
Nicolas Varchausky (Buenos Aires, 1973) lived for more than 30 years in his country of origin, Argentina. In fact that makes him and anybody in his position, a survivor. During his enlightening South American period, he was able to build a peripheral perspective towards art and its social and political context. He studied guitar and Electro Acoustic Music Composition at Universidad de Quilmes, joining the institution as a researcher and faculty member after obtaining his degree. He also taught the Sound Design class at Universidad de Buenos Aires. He composes both electronic and instrumental music, having also worked extensively for theatre and film productions. Since 1999 his work involves also sound art and site specific projects. His music and projects try to articulate the relations between sound, space, memory and spoken voice as a musical material.
He is currently experiencing the deep differences of having moved from a country without law, to a country with endless rules and regulations.
www.varchausky.com.ar
|
|
Annie Wan
Extended Profile
|
Annie Wan - a young activist in audiovisual performance, interactive art and an innovator in interactive technologies. She achieved a Bachelor of Arts in Creative Media from School of Creative Media, City University of Hong Kong, in 2002. She has lived in Singapore, London, Brighton and Gothenburg (Sweden), earned a Master of Science in Art and Technology at Innovative Design, Chalmers University of Technology, Sweden in 2005.
Her works, including locative media, audiovisual performances and interactive installations, have been shown at the Mondal Museum (Sweden); Syndicate Potential (Strasbourg, France); Art+Communication Festival 2004 (Riga, Latvia); Piksel 2004; FLOSS in Motion, (Bergen, Norway); Multimedia Art Asia Pacific Conference 2004 (Singapore); and Oppositional Architecture (Berlin, Germany). She received travel and project grants from various organizations in Hong Kong, Sweden, and Norway, including the Nordic Fund and EU Culture Fund.
Recently, she co-curated the locative media gallery for Leonardo Electronic Almanac (LEA), participated in ZeroOne/ ISEA (International Symposium of Electronic Arts) 2006 in San Jose and 10th Venice Architecture Biennale, Venice, Italy as an invited artist.
|
|
Zack Bent
|
Zack Bent (b. 1975) is a MFA student in the Department of Art at the University of Washington studying Photography. His work is focused on the photograph's inherent ability to document and recall situations and his interest is in diagramming quiet and minimal moments that describe human dilemmas and mind-splitting dualities. He received a BARCH in Architecture, a BS in Environmental Design, and an MA in Photography from Ball State University in Indiana.
www.zackbent.com
|
|
|
|
|
